The False Ducks Blahg This Blahg is about me and other things.

July 28, 2021

WHAT’S SO FUNNY?

    There are many things that strike me as funny.Scott - May 18, 2021 I’m a bit of an odd duck when it comes to comedy.  I actually wanted to write a book called “Odd Ducks.”  It was going to be part of a trilogy of books with the word “Duck” in the title but none of them would be related.  About 20+ years ago I wrote my novel “False Ducks”, which is unpublished, about a radio sketch comedy group.  You can read samples of it at http://www.falseducks.com/false/falsies.html.  I started a second book entitled “Odd Ducks” about a woman who accidentally gets left behind on the highway when her husband stops at  a rest-stop on the highway and drives away without checking to see that his wife, sleeping in the back seat, is no longer there.  It’s based on a true incident.  Here’s what I wrote on it: 

ODD DUCKS

by Scott Henderson

   If Donald had only kept on driving, if Donald had only stopped at a full service gas station, if Donald hadn’t had the Big Gulp at the last rest stop, if Donald had have approached his car from the rear, if Donald hadn’t been so hell bent on getting back on the road, if Donald had have taken a cursory glance in the back, if Aunt Maisie hadn’t dropped dead in the middle Sunday dinner, if the new job didn’t pay so much, if Clara hadn’t insisted on sleeping in the back, if Jenny had have exhibited a little more teenage angst and insisted on the back seat for herself and further if Jenny had have given a rat’s ass about anyone else for even one moment, if Clara had a stronger bladder, if Clara had have left some note or sign to flag Donald’s attention that she left the car shortly after him then maybe, just maybe, and still that was a long shot outside chance, then maybe none of what followed would have followed.

Thursday  5:45 a.m.

   Clara managed to exit the Curly Q just in time to see Donald drive away.  She had been left behind.

The Previous Sunday 8:14 p.m.

Clara let the phone ring 3 times before picking it up.  If Donald had been home he would have barked at her after the first and she’d have answered it.  Donald hated hearing the phone go past one ring.  “It might be important,” he’d say.  “Someone might have died or something,” he’d add.  His mind ran that way.

Donald was out though.  He’d gone for a walk.  Oh, he didn’t fool Clara, he was smoking again.  He always smoked when things changed.  Donald was like a smoke stack when he was nervous and he was nervous when the routine of his life was altered in any way.

Donald was up for a new job.  He was being considered for the position of Media Relations person for Dynaco Nuclear Electric.  It was a big step up from Safety Engineer but that’s what the bigwigs at Dynaco wanted.  They wanted someone who knew what they were talking about and could translate that knowledge into a well meaning but believable pack of lies about the better quality of life to be derived from Nuclear energy.  In other words Dynaco wanted a good liar.

Jenny would have answered the phone if it had been for her.  The fact that it rang more than once meant it wasn’t for Jenny.  Camped out in her room, Jenny would have rolled over to glance at the call display screen and then just as quickly would have rolled back in total disinterest.  Jenny was 15, that was the only explanation necessary.

Clara tossed aside the book she’d been reading and picked up the phone.

“Hello,” she said in her best someone might have died answering voice.

“Clara?”, the voice on the other end asked before continuing.  “Aunt Maisie’s dead.  She dropped dead right before dessert.  It’s awful.  There’s gravy everywhere.  She took a seizure and fell right over.  There’s gravy everywhere.  And I’d baked such a beautiful cake too.  Right out of Cottage Living magazine.”

“Abbey,” Clara broke in.  “Slow down.  What happened?”

“Well, there’s gravy everywhere if that gives you a clue,” Abbey continued.  “We were eating dinner, you know, a nice family dinner, mom and dad over and they drop by with Aunt Maisie, well I don’t mind because she is family and she does have money,  but to drop dead right before dessert and with such a nice cake waiting straight form Cottage Living Magazine.”  Abbey paused for a breath.

During the brief intermission Clara switched the phone to her other ear.  Abbey was not only talking quickly she was stuck on a higher volume.

“Well, the ambulance attendants said it must have been an aneurism or a burst blood vessel or some little thing but Albert thinks she choked on a lump in the gravy but that can’t be because I strained the gravy.  You remember how mom always strained the gravy and we said mom you don’t need to strain the gravy but she kept on straining it, well now I strain the gravy because it makes it smoother and I guess mom was right and Albert was wrong.  Watch the gravy, don’t track it all over the carpet Albert!”  Abbey was shouting this last piece of direction to someone else.

“Abbey,” Clara tried to interject.

“Don’t worry Clara I’ll save the cake for the funeral.  It’ll keep for a few days.  You will come though won’t you?  I’d hate to have such a nice cake go to waste on just Albert and I.  Albert doesn’t really need it you know, the poor dear, he’s gained fifteen pounds since last Christmas.  Nothing, Albert dear, I’m just talking to Clara about poor Aunt Maisie.  Mind that gravy Albert” Abbey said aside.  “You wouldn’t know it but there are beets in the cake.  That’s what it is.  It’s a Chocolate Beet Cake right from this month’s Cottage Living Magazine.  Of course they’re canned beets, you have to have the syrup to make the cake.  You are coming aren’t you Clara?”  Abbey halted abruptly.

Clara switched the phone back to her original ear.  Abbey was starting to give her a headache too.

“How’s mom?”, Clara thought to ask.  Aunt Maisie was actually Great Aunt Maisie because she was their mother’s aunt.

“As well as can be expected.  Oh I know she’s disappointed about the cake and I’m sure she feels responsible.  After all she was the one who practically dragged poor Aunt Maisie here tonight.  You know I was just saying to Albert after she died that she didn’t look at all well.  But you didn’t say if you were coming Clara.”  Nothing got past Abbey.

“To the funeral?”

“Of course, I didn’t mean for dinner.  It’s too late for that and even if you did come I don’t think it would be appropriate to eat the cake.”

“When?”

“After the funeral of course.  Everyone will be absolutely famished.  They always are at funerals.  I’ll have to make some sandwiches and you can bring that marvellous potato salad with the peas in it.  Better plan on a dozen people.  It will be a small intimate luncheon.  We won’t invite just everyone.  I only have the one bathroom downstairs and I certainly don’t want everyone traipsing through the house to the one on the second level.  I just wont’ have it.”

“When’s the funeral I mean?”  Clara was trying hard to keep pace with her sister.

“Oh I don’t know, what’s good for you?  Please don’t say Tuesday though because I have to have the carpets cleaned and I know on such short notice I’m not going to be able to get anyone in here until Tuesday.  Does gravy stain?  Wednesday’s probably best but definitely not Thursday.  Thursday, Albert and I have counselling.”  Abbey lowered her voice to a whisper before continuing.  “Sex, Clara.  I insisted on the sessions.  Albert simply doesn’t want to do…well you know, not that I want to either really but we should be doing something I suppose, after all we are married and there are the children and we wouldn’t want them to grow up strange because Albert and I weren’t perfect role models.”

“Abbey, I think you better let mom and dad make the arrangements for Aunt Maisie.”  Clara couldn’t possibly imagine what was going through Abbey’s head.  Here she was babbling on about her petty little life while everyone else was probably very upset over Aunt Maisie.  Clara didn’t enjoy conversations with her sister and any kind of visit was always strenuous.

Abbey and Albert lived in Niagara Falls.  It was far enough away from Ottawa, where Clara and Donald lived, which was alright by Clara and even more alright by Donald.  Donald could not stand Abbey and could tolerate Albert only somewhat.  They did not spend holidays together.  Since Clara and Donald had married they’d only visited a handful of times.

“I hope mother’s cousin Dillard isn’t invited to the funeral.  He’s absolutely uneducated and that wife of his has to be at least ten years younger than him.  What was he thinking taking such a young bride?  I mean really Abbey, you would think the man could find someone more his own age.  Well at least she has manners which is more than I can say for mother’s cousin Dillard.  Then there’s those twins of theirs.  Unmarried at their age and absolutely no good looks to speak of.  That’s totally unacceptable in two bachelors still living at home in their early forties.  There’s some genetic flaw somewhere that’s married into the family.  Oh I just dread the thought of mother’s cousin Dillard anywhere near me.”

Clara thought back to her last visit with her sister.  Albert and Abbey had stopped by on their way to Montreal for a convention of Amusement Museum Managers.  That was Albert’s occupation.  He managed two very successful tourist museums in Niagara Falls and had been positively written up in several of the well circulated tourism magazines including Cottage Living Magazine.

On that trip Albert and Abbey had only been in the house twenty minutes before Donald had to feign some excuse which allowed him to nip down the block and have a cigarette.  Clara always knew when Donald was smoking and she didn’t blame him a bit when it came to visits with Albert and Abbey.  Clara would have indulged herself if she smoke but instead she would usually sneak a drink during a bathroom break in the visit and would come back that much more pleasant to her sister and her husband.

And Abbey’s children were no better.  Clara wondered why Abbey went on about mother’s cousin Dillard’s twin boys when she had twin terrors of her own.  Not that Abbey saw them as anything other than angels.  “Fallen angels, is more like it,” Donald would always says later.  “Those two brats of hers would give Satan a run for his money.”  Donald always exaggerated but in this case he was closer to the truth.

Alexander and Andrew were ten going on twenty-five to life.  Arson, extortion, theft, profanity and cruelty toward animals were some of their more minor vices.  They’d never been convicted by their mother however.

“And the way they dress.  None of them have any fashion sense.  There’s more to life than denim.  I just won’t have them at the funeral is all and certainly not at my home.  The Chocolate Beet cake right out of Cottage Living Magazine would not be safe around them.”

And Alex and Andy were fat.  Abbey always said well fed but they were still fat.  Spoiled rotten on candy and treats.  Bribery no doubt for good behavior; promises never kept by the twins.

“And their car.  Can you imagine that thing in the funeral procession?  I would die.  I would just die.”

Clara cradled the phone between her ear and her shoulder and rubbed awkwardly at her temples.  It was then that Donald walked in.

Clara immediately smelled the distinct aroma of peppermints and cigarettes.

“Is that for me?” he asked, gesturing with a free hand toward the phone.  In his other hand was a bag of peppermints and a magazine.

“It’s Abbey.”

“Who’s died this time?”

Clara just stared at him.  This wasn’t unusual for Donald.  He always said that Abbey only called when someone died or that she wanted to boast about some contribution that Albert had made to the betterment of Amusement Museums everywhere.  Actually Abbey had never called before about someone dying but Donald and Clara had tired of Albert’s unending string of new exhibits that always, according to Abbey, rocked the establishment of Amusement Museums right down to their wax foundations.

“Aunt Masie died, right in the middle of Sunday dinner.”

“And there’s an article in there too about Albert’s new Hindenberg exhibit.  Albert says this is the one that will put them over the top.  He says this one will rock the establishment right down to their wax foundations.”  Abbey had switched topics again in that moment she had spoken to Donald.

“Your Great Aunt Masie?  God, what happened?”  Donald was striking the magazine against the side of his leg.  He always did this when caught off guard with a rolled up magazine in his hand.

“I don’t know,” Clara said.  “Something about an aneurysm and gravy and now something about Albert’s new Hindenberg exhibit.”

Donald stopped striking the magazine against his leg and tossed it into Clara’s lap.  “Yeah, I know.  It’s in the new Cottage Living magazine I bought you down at the store.  There’s also an interesting recipe in there for a Chocolate Beet Cake we should try.”

———————

Chapter Two

Thursday  5:45 a.m.

 

Clara managed to exit the Curly Q just in time to see Donald drive away.  She had been left behind.

Clara did not break into a mad run, nor flail her arms about wildly, nor call frantically after Donald.  She just stood there blinking…and wondering.  Wondering if maybe she shouldn’t break into a mad run, or flail her arms about wildly, or call frantically after Donald.  By the time she realized a combination of all three was best, it was too late.  Donald and the car were already out of sight.

Clara just stood there blinking.  And then very slowly she began to rub her eyes and tried to wake herself up.  This had always worked before.  She remembered times like this, not being left behind at a Curly Q on the highway, but times when she knew instinctively she was asleep and that if she tried hard enough she could wake herself up but that when she woke up she was always disappointed to learn later that she hadn’t really been awake and that she had only dreamed she had managed to wake herself up.  This was like those times, she thought, except she was at a Curly Q on the highway and Donald had left her behind.

Rubbing her eyes did not help.  And she did not wake up.  She decided she must really be awake and that the logical thing to do was to tell someone she had been stranded here at the Curly Q.

So Clara walked up to the Curly Q drive-through menu sign and said in clear voice “I’ve been left behind here at the Curly Q”, and without thinking she added “and a Curly Q Dodger, please.”

Several seconds passed before the menu barked at her in a barely audible but clearly disinterested voice.  “Welcome to the Curly Q, home of the Dodger, may I take your order?”

Clara blinked again but with resolution repeated herself.  “Yes, I’ve just been left behind,” and again without thinking, “and a Curly Q Dodger, please.”

“The grill closed at 5:30.  Will there be anything else?”

Again Clara blinked.  That’s odd, she thought, the menu doesn’t say anything about the grill closing at 5:30.  She peered closely, blinking, at the picture of the Curly Q Dodger.  It looked like all of the pictures on the menu except that on top it seemed to have something that looked suspiciously like cheese without clearly resembling cheese.

“Your sign doesn’t say the grill closes at 5:30.” Clara spoke clearly into a small mesh hole that looked like a place where you spoke into if you wanted to order something or question why the menu didn’t say anything about the grill closing at 5:30 in the morning.

The voice spoke again, in another barely audible but clearly disinterested voice, from the small mesh hole where orders were taken or complaints was lodged.  “The grill closes at 5:30 to begin preparation for the breakfast menu.”

Clara blinked and glanced around at the huge sign and found the small breakfast menu printed on the right.

“Okay then, I’ll have a Curly Q Breakfast Dodger,” Clara said in a very determined voice, “and I’ve been left behind and need to use your phone.”  Clara wasn’t sure whom she should call.  She just wanted out of the drive-through and back into her car.

The disembodied voice of the mesh hole droned again.  “The breakfast menu is not available until six a.m.  Will there be anything else?”

Clara poked at the mesh hole.  She wasn’t sure if it was that the grill had closed at 5:30 and that the sign did not state that the grill closed at 5:30 or that the breakfast menu wasn’t available until six or that she had failed to noticed the small letters that stated that the breakfast menu was only served between six and ten or that Donald had left her behind but she was beginning to feel very upset.  “You don’t understand, I’ve been left behind and I don’t really care if your grill closed at 5:30 or that the breakfast menu isn’t available until six.  I want to get back in my car and I want the largest coffee you’re allowed to sell by law!”  She really did want the largest coffee they were allowed to sell by law.

“Thank you, please pull ahead.”  Did Clara detect even more disinterest in the barely audible voice from the small mesh hole?

Clara walked around the sign, following the arrow markings on the pavement, and up to a sliding window.

The window slid upwards and a young girl not much older than Jenny stared straight ahead at something on a computerized screen and said, in that clearly disinterested voice, “that’ll be a dollar thirty-five.”  Then the young girl turned, looked at Clara, and blinked.  “I’m sorry, the drive-through is for vehicles only.  The restaurant is open for pedestrian convenience.”  The window slid closed.  Obviously at the Curly Q, a pedestrian in the drive-through was not an uncommon occurrence.

I also wanted to write a story called “Peeking Duck.”  I know, you’re thinking that I meant to say “Peking Duck” about the food delicacy but I spelled mine to reflect the story.  It was going to be about a filmmaker who goes undercover with a homeless person and loses himself in that world.  Thus the title, “Peeking Duck.”  I thought I had never written anything on that but I recently found a synopsis I had put together:

Peeking Duck

This is a story idea about a documentary film maker  who films a street guy named Larry he used to go to school with.  Written in first person.  The twist is at the end another documentary maker goes out to film a street guy that turns out to be the film maker.  “Standing next to Larry was the ugliest guy I’d ever seen with no neck.  His head was attached directly to his shoulders.  If he hadn’t been standing there, Larry would have been the ugliest guy I’d ever seen.”

Maybe someday, I’ll get back to these two stories. 

   I had been struggling to come up with an idea for a blahg this week when I came across a printed error that struck me as very humorous and inspired this blahg.  As I have noted before, I post daily THIS DATE IN SINATRA HISTORY logs to other Sinatra fans.  One of today’s entries was “July 23rd, 1992 Sands, Atlantic City, New Jersey.”  I usually try to include clippings of reviews or advertisements but today I found the following notice that inspired me for this blahg: 

Frank Sinatra, Comedian

In case you didn’t catch it, Frank Sinatra is billed as a Comedian.  Yes, Frank Sinatra, Comedian, with such great jokes as “Did You Hear The One About The Traveling Salesman?”, “Why Did The Chicken Cross The Road,” and “What Time Is It When An Elephant Sits On Your Watch?”  In fact, some of Frank Sinatra’s song titles could be the basis for comedy routines:  “Everything Happens To Me,” “That’s Life,” “Somethin’ Stupid,” and “How Little We Know.”  Of course you might get some traction out of a routine called “My Way.”  So why was there this mistake in billing?  If I expand the original advertisement, you will see that there was someone else appearing at the Sands on that date in 1992: 

Ealine Boosler and Frank Sinatra

Elayne Boosler was a top comedian in the 1980s and 1990s.  I think she was the one that was supposed to be billed as Comedian at the Sands.  Here’s an early appearance of her on the Merv Griffin show: 

She’s no Sinatra but I found her funny. 

   I want to share a couple of pictures with you.  These are shots of a big shelf of DVDs I have in my home, a smaller shelf next to it, and some items that hang on my wall. 

DVD Shelf #1

DVD Shelf 2

Sons Of The Desert Poster

Babes In Toyland LP

Harold Lloyd Charcoal

The Sons of the Desert poster was given to me by my daughter Emaily and the Babes In Toyland is a framed LP of the soundtrack.  The bottom pencil and charcoal picture, drawn by my daughter Abbie, is of Harold Lloyd hanging from a clock in the movie “Safety Last.”  I also house my friend Bryan’s DVD collection in other parts of my house but this big shelf is really the center of my collection.  If you look closely you can see DVD collections of Charley Chase, Max Linder, Laurel and Hardy, Buster Keaton, Harold Lloyd, Harry Langdon, Charlie Chaplin, Edgar Kennedy, The Marx Brothers, Abbott and Costello, Our Gang/Little Rascals, Roscoe Arbuckle, Thelma Todd/Patsy Kelly, Thelma Todd/Zasu Pitts, Jerry Lewis, Bob Hope, Eddie Cantor, and great comedies directed by Preston Sturges. The smaller shelf also has some comedy DVDs of Jerry Lewis and The Three Stooges.  These people are what I call funny and some are what I call geniuses. I often re-watch many of these DVDs because they hold up well and entertain better than most “so-called” comedies today. 

   If I tried to do a blahg honoring these great comics and legends, I am sure I wouldn’t do any justice.  I thought I would share some samples of video and audio of these people who make me laugh.  There is no particular order to my tribute but lately I’ve been watching some Laurel and Hardy shorts and movies.  For a while most of Laurel and Hardy’s earlier classic material was not available in North America.  There were poor versions and colorized material but I had to purchase a box set from the United Kingdom: 

Laurel and Hardy Collection

This beautiful 21 disk set contains many of their early feature films as well as all of the silent and short films they performed in together.  There are some extras of colorized versions of shorts as well as foreign language versions where Laurel and Hardy spoke their lines in German and Spanish.  There has been a box set of their material restored and released in North America as “Laurel and Hardy: The Essential Collection” which only has two features and their sound shorts.  Another set, “Laurel & Hardy: The Definitive Restorations” has 18 shorts and two features.  So, for a good deal the UK box contains more.  Of course, you’ll need a region-free DVD player or find a hack to make your DVD player region-free.  There are also North American releases of later films they made at Fox and I own those as well.  It’s not easy being a completist. 

   I have a few records in my collection that contain routines by Laurel and Hardy but on one record is the routine that was put out on a 78 rpm record in 1932 to coincide with their first trip to the United Kingdom.  Someone has posted it on YouTube: 


In the same year, 1932, Laurel and Hardy made the only short for which they were awarded an Academy Award, “The Music Box”: 

Laurel and Hardy were not only funny but they were true friends to the end.  Even their worst films have fun moments and are better than the foul language filled toilet humor movies we get today.   By the way, my favorite Laurel and Hardy feature is 1936’s “Our Relations.”  Stan and Ollie have identical twin brothers named Bert and Alf that they haven’t seen in years and presume are dead.  Unfortunately Bert and Alf have been at sea and they’ve landed in Stan and Ollie’s town.  Hilarity ensues with mistaken identities all around until they meet up at the end of the film.  

   This past week I have taken time out at work twice to watch a couple of Our Gang/Little Rascal shorts.  I receive updates from https://www.classicflix.com/ and they are currently working on restorations of these fun shorts.  Volume 3 will be released in October and the email I received had a link to watch some of the restoration of the 1932 short “Pooch.” 

The next day I had to watch 1932’s “Free Wheeling”.  My daughter Abbie and I watched all of the Our Gang/Little Rascal sound shorts and we both loved the really young “Spanky” character in “Free Wheeling.”  The gang have a donkey operated taxi and Spanky and Jacquie Lyn want a ride.  They have no money so they decide to shake down a monkey for some change.  It’s hilarious because the monkey is just there and they approach it and ask it if it has any money.  I think there was a sleeping Organ Grinder under a tree but it’s hard to tell.  The children then begin to literally shake it down for loose change.  Quite often, Abbie or I will say to the other “Hey Monkey, got any money?”  The line might not be accurate but it still makes us laugh. 

By the way, the little girl, Jacquie Lyn, costarred with Laurel and Hardy in the very funny “Pack Up Your Troubles.”  There is a very interesting story of what happened after she left Hal Roach studios.  This is from her Wikipedia entry: 

Lyn’s short career at Hal Roach Studios ended when her stepfather demanded more money for her services. She grew up, married, changed her name to Jacquelyn Woll, and was not heard from until the early 1990s. Woll’s son had purchased a Laurel & Hardy videotape for her; the tape was introduced by Stan Laurel’s daughter Lois, who related that Laurel & Hardy fans worldwide were searching for the whereabouts of Jacquie Lyn. Woll contacted The Sons of the Desert, the official Laurel & Hardy fanclub, and was reintroduced to the public, becoming an honorary member of the organization.

Jacquie Lyn passed away in 2002 at the age of 73. 

   It’s funny how some things tie together.  Jacquie Lyn tied into Laurel and Hardy and so do the next two comics.  The first is the Master of the Slow Burn, Edgar Kennedy.  Kennedy was part of Hal Roach’s stock of players so he often showed up as an adult or police officer in both Our Gang/Little Rascals shorts as well as Laurel and Hardy shorts and features.  There’s a great book about Edgar Kennedy called “Master of The Slow Burn” by Bill Cassara.

Edgar Kennedy, The Master of the Slow Burn

This is an insightful and invaluable book on Edgar Kennedy with an extensive filmography.  Some of my favorite Edgar Kennedy shorts are part of his “Average Man” series that ran from 1930 to 1948.  In all there are 103 RKO “Average Man” comedy shorts and I’ve been slowly trying to track as many as I can.  Alpha Video put out six volumes of the shorts and recently they’ve started a new “Rarest Comedies of Edgar Kennedy” with two volumes of rare shorts with most being from the “Average Man” series. The Average Man series had two formats.  The first had Edgar Kennedy with a wife played by Florence Lake, a meddling mother-in-law played by Dot Farley, and a lazy/scheming brother-in-law first played by William Eugene and then by Jack Rice:

Edgar's Family

The second format featured Edgar Kennedy with a wife played by Vivian Oakland and a scheming Father-In-Law by Bill Franey:

One of the earlier shorts in the series to view online is “Camping Out” from 1931.  William Eugene is featured in this one as the Brother-In-Law:

An example of the Average Man short with Vivian Oakland and Bill Franey is 1940’s “Sunk By The Census”: 

There is the odd Average Man short in which neither Florence Lake nor Vivian Oakland played his wife.  This didn’t happen that often and in fact, a young Irene Ryan, who played “Granny” on “The Beverly Hillbillies” played Edgar’s wife in two shorts.  Get the book, find the shorts, watch what you can.  Some are considered lost or maybe not found but quite a few are on YouTube and the aforementioned DVDs.   There’s even a group trying to find and restore all of the Average Man Shorts.  You can check them out here:  https://www.fesfilms.com/edgar.html.

   Jumping ahead to “Charley Chase” and referencing his early character, “Jimmy Jump,” there’s a great box set of early Charley Chase films put out in 2009 by VCI with the title “Becoming Charley Chase.” 

Becoming Charley Chase

Charley Chase was born Charles Joseph Parrott in 1893.  Eventually he would change his name to Charley Chase.  The earliest shorts in the “Becoming Charley Chase” set range from 1915 to 1925.  The set included shorts in which he was the star and some he directed.  Charley Chase directed some of the Our Gang/Little Rascals shorts and even directed a short of his own entitled “On The Wrong Trek” from 1936 in which Laurel and Hardy make a cameo:

I like Charley Chase in both his silent and sound shorts.  Sadly, there was no booklet included with “Becoming Charley Chase” but you could download it online.  I’m glad I did because it’s no longer available to download.  If you buy this set, let me know and I’ll send you a PDF of the booklet. 

   There are quite a few collections of Charley Chase’s sound shorts.  The most recent is “Charley Chase: At Hal Roach” with two volumes already released and a third due in August of this year (2021).  Volume 3 includes the last set of shorts he made at Hal Roach studios from 1934 to 1936.  Chase would make his last shorts from 1937 to 1940 at Columbia Studios and these have also been released in two volumes on the Sony Home Pictures label.  Sadly, Charley Chase would pass away in 1940 at the age of 46.  Here’s another fine example of Charley Chase’s comedy with his 1937 Columbia short, “The Big Squirt.” 

   

   I could go on and on about my DVD collection or the comics and comedians I enjoy watching or hearing.  Some of my past blahgs mention some of these artists.  You can check out HAVE YOU READ ANY GOOD BOOKS LATELY?, R.I.P. JERRY LEWIS 2017, or even REMEMBERING PHYLLIS DILLER; THANK YOU BEN AFFLECK.  I might talk about some of my other favorites in future blahgs but the title of this blahg is “What’s So Funny?”  I’d be remiss if I didn’t mention again my own dealings in a radio sketch comedy show in the 1990s called “Dead From The Neck Up” with my friend Steve Dafoe and producer and occasional writer and voice talent, Bryan Dawkins.  Before we were “Dead From The Neck Up”, we tooled around with the title “Two Guys In Short Pants.”  Here’s our debut show under that title: 

We had quite a few funny sketches and these two are comedy commercials for “Two Guys Proxy Service”: 

Two Guys Proxy Service # 1:

Two Guys Proxy Service # 2:

 

Of course we sometimes leaned toward the bizare in such sketches as “The Man Who Married A Balloon”:

Or our parody of “Batman” known as “Hatman”: 

 

I think some of our best sketches were actually commercials.  Here are a couple more examples: 

EATAWAY LAUNDRY SOAP:

KENNEDYS FOR GUN SAFETY:

Bryan played John Kennedy with Steve playing Robert Kennedy and Teddy Kennedy.  I was doing my older Ronald Regan imitation. 

   Our show lasted about three seasons with three Christmas specials from 1993, 1994, and 1995 and many can be heard here: http://www.falseducks.com/dead/readdead.html.  Last year for Christmas 2020 we recorded new material for the first time in 25 years and we edited together our “The Dead From The Neck Up 25th Anniversary Covid 19 Quarantine Special”.  Here’s a video/audio of the remastered show:

   In our later seasons we got into longer sketch stories such as “The Big D” and “10W-30, The Alvin Parsley Story.”  I haven’t got around to digitizing those but when I do, I’ll update this blahg to include those minor classics.  I’ll leave you with the only known videos of us in the studio:

Now that’s what I call “funny!”

July 10, 2021

SOME FORGOTTEN SONGBIRDS

   What do you write a blahg about when you’re not sure what to write about?Scott - May 18, 2021  Does that make sense?  Here it is the first full week of July, 2021, in a heat-wave and I need a brain-wave.  I’ve done the inspirational recently and looked at the world situation until I’m tired of looking at it.  I got my second vaccine last week, Moderna, and had no reaction.  So that story is put to bed.  By the way, get a vaccine.  So what do I want to talk about?  Well you know me, it’s all about the music. 

   This blahg is going to be another of those, “gee, I haven’t even heard of them” blahgs.  At the end of April I published “SOME FORGOTTEN BANDS…WITH A NOD TO LINDA KEENE” and brought to life some information and songs by some long lost bands.  This time I thought I would look at some of the lost singers from around the big band era.  Recently I was cleaning out an email folder and there was this email that I had sent myself with the subject “Kay Foster.”  I don’t know when I sent it to myself or even why.  That was probably the inspiration for this blahg so I’m going to start with her.  This is her obituary from The Washington Post on April 20th, 2002: 

Katherine Peterson

Big Band Singer

Katherine Peterson, 84, who as Kay Foster sang in the 1930s and 1940s with the big bands of Artie Shaw, Tony Pastor, Les Brown and Benny Goodman, died April 14 at her home in Madison Heights, Mich., after a heart attack.

Mrs. Peterson, a soprano, was married to Chuck Peterson, a trumpet player in bands led by Shaw, Pastor, Tommy Dorsey, Woody Herman and Benny Carter.

She made headlines in 1937 when Bruno of Hollywood, the photographer, told reporters Mrs. Peterson had “the best-looking legs of any girl band vocalist in America.”

If you look at Kay Foster’s Discogs entry, you get this: 

Louisiana Purchase Tony Pastor And His Orchestra – Louisiana Purchase / The Lord Done Fixed Up My Soul ‎(Shellac, 10″) Bluebird (3) B-10725 1940
Kay Foster - Angel / I Want My Mama album art Georgie Auld And His Orchestra – Angel / I Want My Mama ‎(Shellac, 10″) Varsity 8152 1940
Kay Foster - On A Simmery Summery Day / I Bought A Wooden Whistle album art On A Simmery Summery Day Tony Pastor And His Orchestra – On A Simmery Summery Day / I Bought A Wooden Whistle ‎(Shellac, 10″) Bluebird (3) B-10747 1940
Kay Foster - 1940-1945 album art Imagination and 4 more… Georgie Auld – 1940-1945 ‎(CD, Comp) Classics (11) CLASSICS 1322 2003

I know this isn’t complete by any means because I found the following song, “It Never Entered My Mind” that Kay Foster did with Tony Pastor in 1940. 

It Never Entered My MInd - Kay Foster with Tony Pastor

I wasn’t able to find a location to stream “Louisiana Purchase” or “On A Simmery Summery Day” which Kay Foster also recorded with Tony Pastor.  Moving on to her recordings with Georgie Auld and staying with 1940, I was able to find “Angel”: 

Here we’ll have to rely on a YouTube Audio Video: 

The flip-side of “Angel” was “I Want My Mama”:

Here’s another one that Kay Foster also recorded with Georgie Auld, “Imagination”: 

If you check the limited discography for Kay Foster from Discogs, listed above, “Imagination” is listed with the notation following “and 4 more.”  As far as I can tell, the “4 more” were “With The Wind And The Rain In Your Hair” and “Shake Down The Stars.”  In this case, the “4 more” also included “Angel” and “I Want My Mama.”  So here are the two I haven’t covered from the “4 more”, “With The Wind And Rain In Your Hair” and “Shake Down The Stars”: 

Apparently in 1943, Kay Foster was appearing with Jan Garber and His Orchestra because I found two songs she performed on the Treasury Star Parade radio program in 1943.  They are both on YouTube and they are “May In Mexico” and “I Don’t Want Anybody At All”:

There isn’t much else I could find on Kay Foster and I couldn’t find a picture of Kay Foster showing off her famous legs. From her heyday, however, here’s a nice clipping of her from July of 1940 when she was appearing in Cleveland, Ohio:

Kay Foster

  

   Moving on to another forgotten songstress, next up is Ruth McCullough.  Again, we find another obituary from the Washington Post but this time it’s June 18, 2001:

Ruth McCullough Dyer, 80

Ruth McCullough Dyer, 80, a Washington and former Hyattsville resident who under the name Ruth McCullough had been a singer with big bands in the 1940s, died of congestive heart failure June 15 at a hospital in San Diego. She had lived in San Diego since leaving the Washington area in 1995.

Mrs. Dyer, a graduate of Eastern High School and the Washington School for Secretaries, began singing professionally as a teenager. After singing with such local groups as the Rod Raffell band in the 1930s, she went to New York. There, she performed with the Sonny Dunham and Isham Jones bands as well as the Mitchellaires before joining the Tony Pastor Band.

Pastor, himself a novelty singer whose work often highlighted his Italian heritage, led a band until 1959. In the early and mid-1940s, Mrs. Dyer was a leading singer with the band, recording such hits as “Bell Bottom Trousers.” Other songs she recorded with the band included “I’m Beginning to See the Light” and “Walk a Little, Talk a Little.” Another song the band recorded featured Mrs. Dyer and her husband, Richard Dyer, on vocals. He was a singer and trumpet player with the band.

In addition to singing with the Pastor Band, Mrs. Dyer also had opened for her friends the Andrews Sisters on some of their singing engagements. When Mrs. Dyer left the Pastor Band in 1946 to raise a family, she was replaced by two Ohio sisters, Betty and Rosemary Clooney.

Mrs. Dyer was a member of St. Mark’s Catholic Church in Hyattsville.

Her husband, whom she married in 1944, died in 1989.

Survivors include two sons, James and Steven Dyer, both of San Diego; a daughter, Joan Marks of Spotsylvania, Va.; and four grandchildren.

Note that the obituary mentions Ruth McCullough was another singer who had recorded with Tony Pastor.  The main song they mention is “Bell Bottom Trousers”:

“Bell Bottom Trousers” is the only entry that Discogs has for Ruth McCullough despite her obituary mentioning other recordings with Tony Pastor.  The obituary does mention that Ruth McCullough recorded “I’m Beginning To See The Light” with Pastor but I could only find a live version that appeared on an album of live songs released on the Onwards To Yesterday Label.  The album is “Tony Pastor And His Orchestra – (1945-49) Selections Never Before On Record”:

From that album comes “I’m Beginning To See The Light” with an air date of March 13, 1945:

Keeping with Tony Pastor, I found another recording of Ruth McCullough on “Walk A Little, Talk A Little”:

In 1944 Ruth McCullough was performing with Sonny Dunham and his Orchestra.  I do not believe they made any recordings together One NIght Stand with Sonny Dunhambut there exists a recording of a radio performance that Ruth did with Sonny Dunham from the Hollywood Palladium on August 17th, 1944.  The song is “I Lost My Sugar In Salt Lake City” and appears on the album “One Night Stand With Sonny Dunham.”  The majority of the album is devoted to Sonny Dunham’s appearance at the Hotel New Yorker on July 16th, 1945 but the last three tracks on the second side of the album are from the Palladium date.  Here’s Ruth McCullough singing “I Lost My Sugar In Salt Lake City”.  Pay particular attention to that song title because it will surface again in this blahg.

I found another listing for the song “Shoo-Shoo Baby” which Ruth McCullough performed with Mitchell Ayres and His Fashions in Music.  I don’t know the date of this performance, although it appears to be from a live radio show, and I could only find one release containing that version.  It is a CD put out by the Collector’s Choice label appropriate titled “Spotlighting Mitchell Ayres and His Fashions In Music”:

The song can be heard on YouTube:

I could find no other songs related to Ruth McCullough but found this lovely picture of her when she was appearing with Tony Pastor in 1945: 

Ruth McCullough

   

    I mentioned earlier in this blahg that Kay Foster recorded a song called “On A Simmery Summery Day” with Tony Pastor.  I couldn’t find that recording but in my research I turned up a version sung by Sally Richards, the next artist to be featured in this blahg.  Before we get into any information about Sally, here’s her recording of “On A Simmery Summery Day” with Tommy Reynolds and His Orchestra from 1940:

Sally Richards recorded a number of sides with Tommy Reynolds and His Orchestra.  Below is what I could piece together as a discography of the tunes Richards and Reynolds recorded together.  In this discography, vSR represents a vocal by Sally Richards.

Sally Richards w Tommy Reynolds Discography 1Sally Richards w Tommy Reynolds Discography 2From this discography we can see that Richards performed vocal on 13 songs during her time with Tommy Reynolds.  From her first session, February 28th, 1940, here is “Whispering Grass”: 

Whispering Grass 78

From her second session with Reynolds on April 17th, 1940, I’ll offer up “Sierra Sue” and “I Can’t Love You Any More”:

Sierra Sue 78 - Sally Richards with Tommy Reynolds and His Orchestra

I Can't Love You Any More 78 - Sally Richards with Tommy Reynolds and His Orchestra

 

From the May 14th, 1940 session that brought “On A Simmery Summery Day” comes “I Love To Watch The Moonlight” followed by a YouTube Audio/Video of “The Sailor With The Navy Blue Eyes” from June 10th, 1940: 

I Love To Watch The Moonlight 78 - Sally Richards with Tommy Reynolds and His Orchestra

 

From her final session with the Tommy Reynolds Orchestra are her last two recordings.  The first is a YouTube Audio/Video of “Stop Pretending” followed by the audio for “I’ll Tell It To The Breeze” 

 

I'll Tell It To The Breeze 78 - Sally Richards with Tommy Reynolds and His Orchestra

So, who was Sally Richards?  Where did she come from?  What happened to her?  I can find very little information about her.  Here’s a quote from a website entry on Tommy Reynolds and His Orchestra:  “Sally Richards had taken over as the band’s female vocalist, and Gene Sanders was hired as male singer that June; they were replaced by Mary Ann McCall and Ralph Young, respectively, no later than September.”  I found references to her up in Boston in 1946 appearing at a couple of nightclubs but nothing substantive.  I couldn’t find an obituary nor any photos when she was with Tommy Reynolds.  There was a Sally Richards making the rounds in 1934 and 1935 as a blues singer.  1934/02/12 Saint Cloud, MinnesotaCheck out the advertisement to the left from February 12th, 1934 in Saint Cloud, Minnesota.  Sally Richards, Blues Singer, was on the bill at the Breen Hotel Winter Gardens. If anyone knows anything else about Sally Richards, let me know.  For now, we’ll have to leave off with Sally.

  

   Dorothy Claire, my next entry, had more recognition than our previous songbirds.  She even has a Wikpedia entry, although very limited: 

Dorothy Claire (born Marietta Wright, January 5, 1925) is an American former singer on Broadway and with big bands.

Early years

The daughter of Mr. and Mrs. Nelson Wright, Claire was born in La Porte, Indiana. At age 4, she began singing, joining her sisters to form a trio that performed at parties and on WSBT radio in South Bend, Indiana. She later attended La Porte High School, where she was a cheerleader.[1]
Career

Orchestra leader Ayars Lamar hired Claire as a singer when she was 16, changing her name from Marietta Wright to Dorothy Claire. Two of her sisters later adopted that last name for their own professional work. She debuted professionally when she appeared with Lamar’s orchestra in Indianapolis at the Indiana Roof. She went on to sing for notable band leaders including Glenn Miller, Tommy Dorsey, Sonny Dunham, and Bob Crosby. Her rendition of “Perfidia” with Miller’s orchestra sold more than 1 million records.

Breaking away from orchestras, Claire began singing in night clubs in Chicago, including Chez Paree and The Palmer House, then performed at the Copacabana in New York. She sang on Bing Crosby’s radio program and on Don McNeill’s Breakfast Club. She also had her own program on radio station WJZ in New York City and toured in vaudeville. Her work on television included appearances with Jack Carter and Paul Winchell.

On Broadway, Claire performed in Face the Music (1932), Finian’s Rainbow (1947) and Jimmy (1969).

Further research on the Bandchirps.com website added the following:

As the 1950s rolled around, Claire began billing herself as both a singer and a comedienne. She played heavily on the nightclub circuit and in 1950 also began appearing regularly on television’s The Paul Winchell Show. She made guest appearances on many other television programs as well. She continued performing into the 1970s, mainly in nightclubs, also appearing in two films, as a singing prostitute in Cat Ballou (1965) and in the low budget 1970 Lenny Bruce biopic Dirtymouth. Dorothy Claire passed away in 1982, age 62.

On another site there was information from a cousin who added “Dorothy moved back to LaPorte in the late 1970s and opened her own restaurant, “Dorothy Claire’s Place.” She passed away in the mid 1980s. ‘She was a great lady.’ “  The following is a discography that I found at https://adp.library.ucsb.edu/index.php/mastertalent/detail/308658/Claire_Dorothy:

Recordings

Company First Recording Date Title Primary Performer Description Role
Victor 2/19/1941 A little old church in England Dorothy Claire ; Ray Eberle ; Glenn Miller Orchestra ; Modernaires Jazz/dance band, with female-male vocal duet and male vocal quartet vocalist
Victor 2/19/1941 Perfidia Dorothy Claire ; Glenn Miller Orchestra ; Modernaires Jazz/dance band, with female vocal solo and male vocal quartet vocalist
Victor 2/20/1941 The air minded executive Tex Beneke ; Dorothy Claire ; Glenn Miller Orchestra Jazz/dance band, with female-male vocal duet vocalist
Decca 12/14/1939 Two little doodle bugs Bobby Byrne Orchestra vocalist
Decca 12/14/1939 How many times? Bobby Byrne Orchestra vocalist
Decca 2/14/1940 Easy does it Bobby Byrne Orchestra vocalist
Decca 2/14/1940 Busy as a bee Bobby Byrne Orchestra vocalist
Decca 4/2/1940 ‘Deed I do Bobby Byrne Orchestra vocalist
Decca 4/2/1940 If I could be the dummy on your knee Bobby Byrne Orchestra vocalist
Decca 4/2/1940 Slow freight Bobby Byrne Orchestra vocalist
Decca 6/24/1940 Can’t get Indiana off my mind Bobby Byrne Orchestra vocalist
Decca 6/24/1940 Stop pretending Bobby Byrne Orchestra vocalist
Decca 7/19/1940 That’s for me Bobby Byrne Orchestra vocalist
Decca 9/4/1940 Take care (of you for me) Bobby Byrne Orchestra vocalist
Decca 4/29/1941 Nighty night Bobby Byrne Orchestra vocalist
Decca 4/29/1941 I found a million-dollar baby Bobby Byrne Orchestra vocalist
Decca 6/18/1941 You started something Bobby Byrne Orchestra vocalist
Decca 6/18/1941 Down, down, down Bobby Byrne Orchestra vocalist
Decca 7/18/1941 It’s you again Bobby Byrne Orchestra vocalist

The earliest entry in the discography is from December 14th, 1939 with the Bobby Byrne Orchestra when she recorded “Two Little Doodle Bugs” and “How Many Times.”  Here they are: 

Two Little Doodle Bugs Dorothy Claire

How Many Times - Dorothy Claire

Dorothy Claire continued to record with Bobby Byrne and His Orchestra in 1940 and 1941.  I want to offer up some well known songs performed by Dorothy Claire.  Here are ” ‘Deed I Do” and another version of “Stop Pretending” from YouTube which you can compare to the one I posted above recorded by Sally Richards. 

'Deed I Do - Dorothy Claire

Here are a couple of her 1941 recordings with Bobby Byrne.  From April 29th, 1941 we have “I Found A Million Dollar Baby”, on which she duets with Stuart Wade, and her last recording with Byrne from July 18, 1941, “It’s You Again.” 

I Found A Million Dollar Baby - Dorothy Claire

It's You Again - Dorothy Claire

 

    Dorothy Claire’s obituary information mentions her time with Glenn Miller but the discography only details three recordings, “A Little Old Church In England,” “The Air Minded Executive,” and her million copy selling rendition of “Perfidia.”  Here are the three recordings she did with Glenn Miller and his Orchestra. 

A LIttle Old Church In England - Dorothy Claire

Perfidia - Dorothy Claire with Glenn Miller

The Air MInded Executive - Dorothy Claire with Glenn Miller

   There exists a radio recording of Dorothy Claire’s first live appearance with Glenn Miller and His Orchestra on January 11, 1941 from the Cafe Rouge of the Hotel Pennsylvania in midtown Manhattan.  In it, Dorothy Claire performs “Swingin’ at the Seance.”  Here it is from YouTube:

   I found the following photo of Dorothy Claire when she was a vocalist with Boyd Raeburn and his Orchestra.  I believe that Dorothy was with Raeburn around 1944.

Dorothy Claire

The only recording that I could find of Dorothy Claire with Boyd Raeburn and His Orchestra was a V-Disc she did with his outfit in 1944.  Here’s a YouTube Audio/Video of the song “Who Started Love?” with Dorthy Claire and Boyd Raeburn as well as the flip-side featuring Harry James on “Crazy Rhythm.”

I could not find any other recordings of Dorothy Claire with Boyd Raeburn but I did find that she recorded at least 4 songs around 1947 with Emmett Carls and his Orchestra.  Here are “Love Makes The World Go Round,” “The Coffee Song,” “Sooner Or Later,” and “Does Your Heart Beat For Me?”

Love Makes The World Go Round - Dorothy Claire

The Coffee Song - Dorothy Claire

Sooner Or Later - Dorothy Claire

 

Does Your Heart Beat For Me - Dorothy Claire

    

  Dorothy Claire also sang with Sonny Dunham’s band around 1943 and 1944 Sonny Dunham CDbut the only recordings I could find were issued on a CD on the Circle label, shown at left.  Th e two songs on the CD sung by Dorothy Claire are “Wo Ho” and “I Lost My Sugar In Salt Lake City.”  “I Lost My Sugar In Salt Lake City” was presented earlier in this blahg as a live radio transcription of Ruth McCullough singing it with Sonny Dunham.  The band is the same this time but the vocal is by Dorothy Claire.  Luckily someone has uploaded these to YouTube: 

The only information I could find about these two recordings of Dorothy Claire with Sonny Dunham comes from the back of the CD:  “Originally recorded for Lang – Worth Transcription in New York City December 21, 1943.”   This means that Dorothy Claire sang “I Lost My Sugar In Salt Lake City” with Sonny Dunham almost eight months before Ruth McCullough warbled it live with Dunham at the Hollywood Palladium in August of 1944.  Other versions of “I Lost My Sugar In Salt Lake City” have been recorded by Julie London and Peggy Lee.  Julie London’s version makes you wonder why this blues song has all but disappeared.  Dorothy Claire’s version of “I Lost My Sugar In Salt Lake City” is a good note to end off her entry here and move on to another by picking up a thread inspired by the same song.

 

   When I was researching the song “I Lost My Sugar In Salt Lake City,” I came across another version recorded by a singer by the name of “Frantic” Fay Thomas.  Here again is another singer that seems to have been lost to time.  Again, however, she is someone with a limited Wikipedia entry: 

Fannie Crawford (September 14, 1922 – July 5, 1978), known as “Frantic” Fay Thomas, was an American pianist and vocalist. She recorded for Exclusive Records in the 1949.

As a teenager, her family moved to Detroit, Michigan. Her father Elijah Crawford and her brother Bayless Crawford were cooks. On March 12, 1940, she married George Thomas in Cleveland, Ohio.

Thomas began performing at Detroit’s Four Horsemen Club in 1940. She was discovered by Earl Carroll, who gave her the stage name “Frantic Fay.” Thomas was featured with Earl Carroll’s Vanities in the spring of 1944 and played eight months at Harry’s Show Bar in Detroit. She was managed by Delbridge & Gorrell. Thomas played piano by ear. Billboard magazine described her style as “individual, with a jive touch,” adding that “she is at her very best in an interpretation of the deep blues.” Through the 1940s, she had appearances at hotels and bars around the country.

In 1949, Thomas recorded four songs for Leon René’s Exclusive Records in Los Angeles: “I’m In Town,” “Waga-Waga,” “I Don’t Want Your Money, Honey,” and “Lover Man.” Her first single “Waga-Waga” / “I Don’t Want Your Money, Honey,” was released in June 1949. Reviewing the single, Billboard wrote: “New thrush-88er packs a dynamite live style with something of Rose Murphy and Nellie Lutcher and plenty of her own. Her piano work is of pro caliber, too. The record “I Don’t Want Your Money, Honey” was Cash Box magazine’s Race Disk O’ The Week. They noted that track was a “surefire clickeroo if ever there was one. Jut listen to this gal skim thru the 88’s and gurgle, chuckle, giggle and sing, and make more sounds than you’ve heard in a month of Sundays.” The single did well in local markets, but it did not chart nationally. Her second single, “I’m In Town” / “Lover Man,” was released in September 1949. Later that year, Thomas had another session with Exclusive and recorded four more songs. The single “Thinking Of You” / “I Lost My Sugar In Salt Lake City” was released in December. That month, Exclusive declared bankruptcy and ceased operations in January 1950. Thomas never released another record.

In the 1950s, Thomas performed gigs around California. She married Lonnie I. Riggs in 1954. By the 1960s, Thomas had relocated back to Detroit; she performed around the Midwest. She died in Detroit on July 5, 1978. Years after her death, Thomas’ songs were featured in the soundtracks of a few movies. “I’m In Town” was used in the films Men Of Honor (2000), Lonely Hearts (2006), and Trumbo (2015). One of her unreleased Exclusive tracks, “I Only Want You” was used in the films Lovelife (1997) and Second Skin (2000).

I found the following photo of Fay Thomas from the website http://www.uncamarvy.com/FranticFayThomas/franticfaythomas.html

Fay ThomasThe author of the website, http://www.uncamarvy.com/FranticFayThomas/franticfaythomas.html, Marv Goldman, supplies a little more information about Fay Thomas but even admits there isn’t much out there to draw on.  So, I’m going to focus on the music.  Her Wikipedia entry states that in 1949, “Thomas recorded four songs for Leon René’s Exclusive Records in Los Angeles: “I’m In Town,” “Waga-Waga,” “I Don’t Want Your Money, Honey,” and “Lover Man.”  Here are three of those songs:

Unfortunately I could not find a source from which to stream “Lover Man.”  Her later 1940 session at Exclusive Records produced “Thinking of You” and the aforementioned “I Lost My Sugar in Salt Lake City.”  Here are those two songs: 

Fay Thomas - Thinking Of You

Kay Thomas -

The Wikipedia entry for Fay Thomas also mentioned that “one of her unreleased Exclusive tracks, “I Only Want You” was used in the films Lovelife (1997) and Second Skin (2000).”  Here is Faye Thomas’ rendition of “I Only Want You”: 

There isn’t much else to say about Fay Thomas.  Even Marv Goldman from his website ends with these words: 

“I like Fay Thomas’s music; I wish she’d made more recordings (and I really wish she weren’t so difficult to research). There were relatively few documented appearances and sometimes huge amounts of time elapsed between them. (This is really strange because she never seemed to have gotten a negative review.) She must have been working somewhere, else how could she support herself? Frantic Fay Thomas: a true enigma.”

I guess I can’t add anything more. 

 

   Getting back to the female big band vocalists, I want to first offer up the following video.  It is a Soundie that was filmed August 2nd, 1943: 

The band in this short is Johnny Long and His Orchestra and the girl singer is Helen Young.  She will be my final entry in this blahg.  Here’s a nice photo of Helen Young when she was associated with Johnny Long:

Helen Young

Utilizing the https://adp.library.ucsb.edu/index.php/mastertalent/detail/351814/Young_Helen website, which is the same resource I used for Dorothy Claire, we find the following discography for Helen Young: 

Recordings

Company Matrix No. First Recording Date Title Primary Performer
Victor BS-82519 5/14/1934 I met my Waterloo Ted Hanson ; Normandie Orchestra ; Helen Young
Victor BS-82520 5/14/1934 My old flame Ted Hanson ; Normandie Orchestra ; Helen Young
Decca 68085 9/12/1940 Stars over the campus Johnny Long Orchestra
Decca 68086 9/12/1940 Swing me Bach-1 Johnny Long Orchestra
Decca 68272 10/18/1940 Don’t let it get you down Johnny Long Orchestra
Decca 68273 10/18/1940 I give you my word Johnny Long Orchestra
Decca 68413 11/29/1940 Yes, my darling daughter Johnny Long Orchestra
Decca 68416 11/29/1940 Johnny peddler Johnny Long Orchestra
Decca 68721 2/26/1941 Accidently on purpose Johnny Long Orchestra
Decca 69119 5/2/1941 Miss Johnson ‘phoned again today Johnny Long Orchestra
Decca 69203 5/15/1941 I take to you Johnny Long Orchestra
Decca 69465 7/2/1941 The booglie wooglie piggy-1 Johnny Long Orchestra
Decca 69539 7/21/1941 Kiss the boys goodbye Johnny Long Orchestra
Decca 69779 10/3/1941 The time to sing Johnny Long Orchestra
Decca 70057 12/15/1941 Dear Arabella Johnny Long Orchestra
Decca 70059 12/15/1941 He’s 1-A in the Army and he’s A-1 in my heart Johnny Long Orchestra
Decca 70120 12/31/1941 Pretty little busy-body Johnny Long Orchestra
Decca 70276 2/3/1942 Hoe down Johnny Long Orchestra
Decca 70277 2/3/1942 I’m breathless Johnny Long Orchestra
Decca 71086 7/15/1942 Constantly Johnny Long Orchestra
Decca 71183 7/24/1942 Why don’t you fall in love with me? Johnny Long Orchestra

The earliest listing here are for two sides she did with Ted Hanson and His Normandie Orchestra in 1934.  Here are those two songs, “I Met My Waterloo” and “My Old Flame”: 

Helen YOung - I Met My Waterloo

Helen Young - My Old Flame

It was difficult to find any biographical information on Helen Young.  I had to start by searching old newspapers and I found an article from the Patriot Ledger, Quincy, Massachusetts, from December 4th, 1935 that provides some good information on the then young singer 

Helen Young Article

Working ahead, I found the following information from the April 10, 1943 issue of Billboard: 

DAVIES- YOUNG -Cpl. Ogden Davies,
former member of Johnny Long’s ork, to
Helen Young, vocalist with the same
band, last year in New York, it was revealed
last week.

Having now established that she was married to Ogden Davies, I was able to track down Helen Young’s obituary: 

Helen Young Obituary

I found that obituary in the September 19, 1966 issue of “Broadcasting – The Business Weekly of Television and Radio.”  Searching a little more, I found a full obituary published in the September 8th, 1966 edition of The Morning Call from Allentown, Pennsylvania: 

Helen Young full obituary

It is sad that she died so young.  Her longer obituary mentions her singing with the Raymond Scott Orchestra but I could not find any recordings that she did with that band.  Raymond Scott did have a radio program in the fall of 1943 and I found reference to four shows where Helen sang the following songs:  “In my arms,” “You’re Either Too Young or Too Old,” “Thank Your Lucky Stars,” and “Put Your arms Around Me.”  Unfortunately I could not find anywhere to stream these programs. 

   Helen Young’s longest association with any band was with Johnny Long’s Orchestra from 1937 to 1942.  The video I posted earlier in this blahg of Helen Young with Johnny Long’s Orchestra performing “My Girl Loves A Sailor” is only one of a few videos on YouTube attributed to Young and Long.  Here’s another entitled “Daddy”: 


This next video is audio only, another Soundie, this time from October of 1943, with Helen Young and Bob Huston singing “Let’s Get Away From It All” with Johnny Long and his Orchestra: 

According to “The Soundies Book – A Revised and Expanded Guide to the ‘Music Videos’ of the 1940s” by Scott MacGillivray and Ted Okuda, Helen Young appeared in other Soundies with Johnny Long including “Johnny Peddler” March 1941, “Swingin’ at the Seance” from May of 1941 (yes, the same song that Dorothy Claire performed live with Glenn Miller in January of 1941), as well as the aforementioned “Let’s Get Away From It All” and “My Girl Loves A Sailor.”  I could not find a place to stream “Johnny Peddler”or “Swingin’ at the Seance.”

The remainder of the selections I will offer up now are from Helen Young’s recording years with Johnny Long.  From her first session with Long in 1940, here are “Stars Over The Campus” and “Swing Me Bach”: 

Stars Ove The Campus - Helen Young with Johnny Long

Swing Me Bach - Helen Young with Johnny Long

From May of 1941 come two selections, “Miss Johnson Phoned Again Today” and “I Take To You”: 

Miss Johnson Phoned Again Today - Helen Young with Johnny Long

I Take To You - Helen Young with Johnny Long

And finally two selections from July of 1942 before Helen Young left Johnny Long’s Orchestra.  Here are “Constantly” and “Why Don’t You Fall In Love With Me?”: 

Constantly - Helen Young with Johnny Long

Why Don't You Fall In Love With Me? - Helen Young with Johnny Long

Helen Young had a pleasant voice but if you look at the titles of her songs, they were mostly novelty tunes with hardly a standard among the songs she recorded with Johnny Long.  There is one exception, her singing on the ballad song “I Give You My Word” of October of 1940 is beautiful.  I just wish she had recorded more of these types of songs. 

I Give You My Word - Helen Young with Johnny Long

In case you’re wondering about the 1934 recordings that Helen Young did with Ted Hanson and His Normandie Orchestra, she would have had to have been 13 or 14 when she recorded those.  Maybe she did or maybe it’s a different Helen Young.  Take it all with a grain of salt. 

   I hope you enjoyed this blahg.  I try to do my best to cobble together information from different sources to provide an enjoyable reading experience.  I learned from my three blahgs on Linda Keene that there is information to be found if you dig for it.  There’s also great music out there if you only look for it.  Check out some of the other recordings of the great singers I’ve presented here.  Time may have forgotten them but in this blahg, at least, I’ve heralded their return.

 

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