This is going to be a short blahg. This is the introduction. Short, hunh?
Back in 2017 I wrote a blahg with the title CELEBRATING PAUL QUARRINGTON. I wrote about my fascination with writer and singer Paul Quarrington and how I met him twice and had him sign a book, a 45 rpm, and the 1979 Quarrington-Worthy LP. Here’s what the Quarrington-Worthy LP looks like:
Here’s the back after I had Paul Quarrington autograph it for me:
In my previous Paul Quarrington blahg, I featured some tracks from the Quarrington-Worthy album plus some tracks with Paul’s vocals from his brother Tony’s LP “Top Ten Written All Over It.” Here’s the strange cover to that LP:
My blahg, also featured a song from the band Porkbelly Futures that Paul was in from 2004 to 2010. Paul’s last album was “The Songs” in 2010. Sadly, Paul also passed away in 2010 and there would be no more music.
I hadn’t thought about Paul Quarrington in a while. Yesterday, however, one of his songs from his brother Tony’s LP came up in rotation on my music player. It reminded me that there were more songs from Quarrington-Worthy. I had purchased a promo record of sorts a few years ago that had been issued by CBC Radio Canada in 1976 because it featured four songs from Paul Quarrington and Martin Worthy. Here’s the front cover:
Here’s the rear cover:
This album featured other bands but we see that Quarrington and Worthy were together as early as 1976 and this album contained four songs by them: “Tryin’ Like The Devil,” “Sumpin,” “Devil’s Rodeo,” and “Mary Cargill.” “Tryin’ Like The Devil ” is on the 1979 Quarrington-Worthy LP but I believe this 1976 version is slightly different. At least the introduction is completely different. Here’s the 1976 version and below it, I’ll post the 1979 version for comparison.
1976 version of “Tryin’ Like The Devil”:
Here’s the 1979 version:
Here are the other three songs by Quarrington and Worthy from the CBC album:
“Sumpin”
“Devil’s Rodeo”
“Mary Cargill”
I like these 1976 songs but I’ve discovered there was also a single from 1978 that featured two songs by Quarrington and Worthy that did not appear anywhere else. The two songs were “Stay Awhile” and “Jewel Eyes.” Here are images of the two sides of the 45rpm single:
Luckily, I was able to track down audio for the two songs. My new favourite is “Jewel Eyes.”
JEWEL EYES:
STAY AWHILE:
I started looking for other Paul Quarrington releases or performances. I came across this video on YouTube of Paul Quarrington with his brothers Tony and Joel performing in 2009, a year before Paul died. The song is “Blame It In My Youth”:
Somewhere in my record collection I also have an album by Joe Hall and the Continental Drift. I know that both Paul Quarrington and Martin Worthy were part of that band. I know that Paul did some vocals but it was mostly Joe Hall. Here’s a video of them all performing live in 1978. Paul is contributed as playing Bass and background vocals.
I miss Paul Quarrington. He was a great author and a great singer/songwriter. I’m glad I remembered about the CBC record and even happier that he came up in the song rotation yesterday. I hope you will remember to check out other songs by Paul Quarrington and definitely read his books. There was and never will be anyone like him.
Well, it finally happened. Last Wednesday, April 15th, I had my new mattress delivered. That is exactly a month plus a day since I won the mattress. If you haven’t read about that in my previous blahg, WHAT DOES IT TAKE TO RECEIVE A FREE MATTRESS? then go ahead a check it out. I’ll wait.
Here’s a picture of me on the new mattress:
This is the Beautyrest Black Hotel Cornerstone Suite Tight Top Firm Queen Mattress. Here’s another picture of the mattress but without me on it:
Sorry, I don’t have a picture of me lying there without the mattress. That would be difficult.
The theme of this blahg is “This Is Fine.” I was just going to write a quick blahg about receiving the mattress and then move on. Yesterday, however, I was inspired by something else and thought it would be a great addition. I had been shopping at a thrift store over the weekend and I saw this Funko Pop in a display case:
I didn’t know anything about this Pop. I didn’t know what it meant by “This Is Fine.” What is fine? Here’s what the dog looks like out of the box:
What you can’t tell from that image or from the front of the box is the insert from inside the box. Here it is:
The room is on fire and the dog is just sitting there with his “This Is Fine” mug! How is that fine? Apparently, it’s from a 2014 webcomic by K C Green. From Wikipedia there’s this quote:
A 2013 Gunshow strip titled “On Fire” features an anthropomorphic dog (dubbed “Question Hound”) drinking tea in a room that is burning down. Despite its own body catching fire and beginning to melt, the dog remains perfectly calm throughout the six-panel strip, saying lines such as “That’s okay, things are going to be okay.” The first two panels of the strip, featuring the dog simply sitting in the blazing room saying “this is fine”, became a popular internet meme. The dog’s demeanor, described as “somewhere between bemused acceptance and outright denial” by Slate Magazine’s Jacob Brogan, proved popular with its full context removed. The sentence “this is fine” was described by The Verge’s Chris Plante as a “shorthand for when a situation becomes so terrible our brains refuse to grapple with its severity”.
Funny, that’s not how I viewed it at all. I didn’t buy the Pop on Sunday but that night it kept haunting me and so I had to go back and buy it.
Here’s my interpretation. I didn’t think “This Is Fine” meant that the dog was in denial as things burned down around him. Instead, I took it to mean, “I’ve Got This.” That’s when it began to describe me. Throughout all of the tough times like my Father dying in 2019 and being diagnosed with polymyalgia rheumatica, I kept thinking this is fine and I’ve got this. Sometimes things weren’t fine and I had to admit it but I didn’t let things burn down around me. I turned to others when I needed to and I got through it. Now, I really do have the “This Is Fine” mentality. I’m stronger and I’m handling things.
Recently, as of last week, I was diagnosed again with epididymitis. I’ve mentioned it before. Here’s the description:
It is most commonly caused by a bacterial infection but can also result from a virus. Symptoms typically include testicular swelling and pain on one side, which may start out as dull but can become more intense or sharp. In some cases, pain may also be felt in the abdomen, pelvis, or low back.
The testicular swelling and pain isn’t fun. I had to go my local hospital and be probed by the on-call Doctor. Like the times before, I was asked if I had any new sexual partners. I laughed and said I’ve been married for almost 39 years and I’ve finally broken in my wife so why would I want to screw that all up by cheating on her. The Doctor laughed and said he knew what I meant. 39 years with one woman and this is fine to me. Have I looked at other women? Have I thought about other women? Of course I have. I’ve just never acted on it. I look at the way things are and I say “this is fine.” There are no flames all around me.
That was a little more than I was going to post. It’s about perspective. I’m happy with the way things are, mostly. Here and now? This is fine. I was just going to close with those words but I heard a song on the radio today that that I though fit in nicely. It’s not usually my cup of tea, not even in a mug that says “this is fine” on it, but if you’ll listen through to the end, you’ll get the message. The song is “Anything But Me” by Owen Riegling. It starts off wishing to be anything but me but in the end it’s about accepting that I couldn’t see me being anything but me. Check it out:
Well today’s the day. I’ve been meaning to do a video walk-through of my Funko collection. I’m on holidays this week so I had time to go through everything and, with Jeanette out of the house, I was able to get through it all. Of course, as I said, I was on holidays and that meant a trip to Toronto to connect with my children, although unfortunately I was not able to meet up with Emily, and I also spent some time looking to add to my collection. That’s why the video ends and then adds two new items. Here’s the video:
I should note that I made a couple of errors in the video. I mistakenly mixed up the Darkwing Duck villains Negaduck and Negatron. Here’s what Negaduck looks like:
Here’s Negatron:
I should note that I’m still missing two Darkwing Duck figures. The first is Darkwing posing with his cape open:
There is also a chase version of Negaduck in the same pose but the box says it’s Darkwing Duck and it has the Chase sticker.
Still, my collection is mostly complete because I have the Liquidator and Quackerjack digital NFT releases. I actually have all of the Disney afternoon digital releases. Here’s a photo of all of them and they appear in my video:
Related to the Ducktales NFT releases, I should add I am missing one Ducktales Pop that released of Scrooge McDuck through Entertainment Earth that I still don’t own:
In the video, I also show off my collection of Pufnstuf releases, including the Jimmy NFT, but I couldn’t get close enough to show the Freddie Flute in Jimmy’s pocket. If you click on the image below, you will see the flute in his left side shirt pocket:
Of course, there was also a gold Pufnstuf release that I don’t have and really haven’t expressed an interest in tracking down:
There are quite a few other Funkos throughout my video but I want to highlight the Sword In The Stone releases. In addition to the ones I show off in the video, there were also releases of Arthur pulling the sword from the stone, which I mentioned:
There were also two Madam Mim releases that I don’t own. The first was a Wondercon release where she has a pig snout:
There was also a Chase variant of the Madam Mim as Dragon figure:
I added an addition at the end of the video where I highlighted the purchases I made in Toronto. The first was young Bobby Hill from King Of The Hill:
There are two other King of the Hill releases from the most recent season of the show. The first is grown Bobby Hill in his Robata Chane restaurant outfit:
There is also a grown-up Connie Souphanousinphone from the last season:
I’m debating if I want to add these two to my collection.
I also showed off a Captain Janeway Funko Pop I also picked up in Toronto:
Captain Janeway is from the Star Trek series, Voyager but it doesn’t have Voyager listed on the box. Janeway is part of a Star Trek favourites series that include releases from Next Generation, Deep Space Nine, The Original Series, and Lower Decks:
I’m not really interested in all the others but my wife and I just finished re-watching the entire Voyager series and I was aware that there are going to be a couple more releases for Voyager characters, The Doctor, and Seven of Nine:
Note again that nowhere on these two releases does it mention Voyager but these are definitely from the Voyager series. There is also another Seven Of Nine from the later “Picard” series:
I’m not sure about the Picard release. The series was just okay, with the last season being the best, but I don’t think that’s enough to sway me.
Moving over to my Transformers Funko Pops, yesterday I picked up another Transformers Pop of Optimus Prime:
I had number 131 but found a local store that had a copy of 22. Here are comparisons:
There are a couple of other Optimus Prime releases that look similar. There was an Amazon exclusive that was Metallic looking:
There was also a GameStop release:
And finally there was a Walmart exclusive:
I want to stay on the Transformers for another moment. In my video I show off a Megatron 132 release:
This goes along with my 131 Optimus Prime but now that I have the 22 Optimus, there is a corresponding 24 release:
I showed off the GameStop 44 Optimus Prime exclusive above and of course there’s a 45 GameStop release of Megatron:
My video also shows one other Transformers Pop that I own but with a Chase version I’d like to acquire. I own Skywarp but there was a Chase version that is Thundercracker:
They are the same figure basically with different colours and a different name. They’re both numbered 168.
Finally, I’ll show off the additions that came in the mail today. I thought I was done with this blahg but I had to run into town and when I got back I had two packages waiting in the mail. First, here’s what the Soundwave looked like that I ordered:
Here he is fresh out the box, today:
This is the battle damaged Soundwave with his cassette drawer having cracks in it. Here’s the normal one that I also have to obtain:
Here’s a final shot of my Transformers Funko collection with Soundwave in place (click for a larger image):
Lastly, I received a 3 pack of Funkos today and they’re all from Foster’s Home For Imaginary Friends. Here’s what I received:
We have Frankie Foster, Wilt, and Cheese with Chocolate Milk. They are now on my shelf with Mac, Bloo, Eduardo, and Flocked Eduardo:
Cheese has to sit below on the Munsters shelf. I might move them to a top shelf and have Cheese sit on top. The shelf only holds six so he’d have to sit on top of the other figures.
That’s it for now. I don’t have anything ordered and I’m not actively looking for anything else but I’ll update as the collection expands.
Yesterday, I played a little hooky from work. I have a job where I tend to run around a lot checking on clients and taking them to appointments. I also try to sneak in some time to visit my Mother in the long-term care home where she resides. I received a call in the afternoon that she was out of a certain denture adhesive, so I drove to the pharmacy and then took them up to her. On the way back to work, I took a diversion and stopped in at a local thrift store. I had been there on the weekend but I hadn’t had a chance to check out the vinyl records section because there had been an individual taking a deep dive through them. Yesterday, I had a chance to go through the records and scored four records. Thus the title.
Before I start in on sharing songs from the records, let me show you some quick photos of the vinyl. I took these while in my car because I wanted to research them in my office when I got back:
That last record was, I believe, the first one I selected yesterday. I have in fact written a previous blahg about Dakota Staton, WHY DID I BUY THIS CD? I talked about a CD with the title “Dakota Staton – Five Classic Albums” which I had purchased but didn’t remember doing so. Here’s a picture of that CD:
Notice that the five albums compiled on the CD set did not include “In The Night” which is the album she did with George Shearing that I purchased yesterday. That’s where I will start.
I won’t go into more details about Dakota Staton but you can check out the blahg, I referenced above. Here’s a better look at the front cover of the “In The Night” LP as well as a shot of the back cover. You can click on the images to make them bigger:
I’ll start off by offering the title track, “In The Night:”
That one was slow and sultry. Here’s a track that gently swings, “I Hear Music”:
I’ll offer one more that fits the sultry category, “The Thrill Is Gone”:
I’ll jump back to the top photo which shows the LP “Solid and Raunchy” featuring Bill Black’s Combo. I found this quote on YouTube where someone posted the whole album:
Bill Black was the original bass player in Elvis Presley’s band. He played on all the early Elvis recordings. After leaving Elvis Presley’s band he formed Bill Black’s Combo, which became one of the most popular instrumental bands of the period.
Here are more cover shots of the front and back:
I noticed right away that the song “Don’t Be Cruel” leads off the first side. This is a song closely associated with Elvis Presley. Here’s the Bill Black Combo version:
If you want to talk about songs closely associated with someone else, then what do you think of when I say “Tequila?” You should say Pee Wee Herman and it should conjure up images of Pee Wee dancing to this song on top of a bar in the 1985 film, “Pee Wee’s Big Adventure”:
That version was performed by “The Champs.” Here’s Bill Black’s Combo version:
Finally, from this album, I want to offer up “Mack The Knife” because it too is such an iconic song. There have been great versions by Ella Fitzgerald, Bobby Darren, Frank Sinatra, and Bing Crosby with Bob Scobey’s Frisco Band. You can listen to the Bing and Scobey version by viewing my blahg, WHAT ON EARTH IS SCOBEYFAN? Here’s Bill Black’s combo with their version:
The next album is a compilation of sorts, “Bethlehem’s Girlfriends.” The AI version of google stated this about the album:
Bethlehem’s Girl Friends
(1956) is a compilation album released by Bethlehem Records featuring jazz vocalists Chris Connor, Julie London, and Carmen McRae. The 12-inch LP (BCP-6006) showcased tracks from these prominent artists, including songs like “It’s All Right With Me” and “A Foggy Day.”
Here are the front and back covers:
Where do I start with this album? Well, I noticed that the song “The Thrill Is Gone” is sung on the album by Chris Connor. I offered a version earlier in this blahg by Dakota Staton. Now here’s Chris Connor’s take:
Another song by Chris Connor on this compilation LP is “Lush Life.” Not too many have attempted this song. Sinatra tried recording it and there’s an incomplete version:
There’s also a nice version by Linda Ronstadt and a marvellous version by Blossom Dearie:
Now here’s Chris Connor’s version:
Another vocalist from the Bethlehem’s Girlfriends record is Carmen McRae. Here she is singing on “Easy To Love”:
Here’s a more uptempo song, “Tip Toe Gently”:
The last singer featured on the Bethlehem album is Julie London. I think I have a couple of Julie London albums at home so I know who she is. She sings four songs on this record but I’m going to choose the two songs I have heard by Frank Sinatra. The first is “A Foggy Day”:
I think I used the word “sultry” earlier when talking about Dakota Staton’s singing on “In The Night,” but sultry fits here, too. Here’s Julie London singing “Don’t Worry ‘Bout Me”:
Wow, what a voice!
I’m not sure what to say about the last record I purchased, “Windjammer City Style” featuring Red Norvo. I purchased the album because I had heard of Red Norvo. In fact, I referenced him in two of my Linda Keene blahgs: TRACING LINDA KEENE, PART 2: THE MOMENT IN MY LIFE and TRACING LINDA KEENE, PART 3: ONE MORE FOR THE ROAD. Linda Keene was on a six month tour across the USA with Norvo from June to December of 1940. I also mention a CD I own of Norvo live at The Blue Gardens in Armonk, New York in January 1942. A Billboard notice had Norvo there from December of 1941 to January 1942 and that Linda Keene was appearing with him:
Unfortunately, Linda Keene did not appear with him at The Blue Gardens. Here’s an image of the CD:
The vocals on the CD are attributed to Helen Ward, Kay Allen, Fran Snyder, and Eddie Bert. Here’s one of the songs I posted with a Helen Ward vocal on “This Time The Dream’s On Me:
On February 16, 1945 Linda Keene also recorded four songs with a group of musicians that included Red Norvo on vibes. They both appeared on the Black & White label. The A side featured the song “I Don’t Stand A Ghost Of A Chance” :
The flip side was “I Must Have That Man”:
Linda Keene also recorded two other songs on February 16, 1945 with the same musicians, including Norvo, also released on the Black & White label. “Gee Baby, Ain’t I Good to You” and “Blues On My Weary Mind” were 19A and 19B on the Black & White Label.
GEE BABY, AIN’T I GOOD TO YOU–LINDA KEENE WITH CHARLIE SHAVERS & RED NORVO
———————————–
BLUES ON MY WEARY MIND–LINDA KEENE WITH CHARLIE SHAVERS & RED NORVO
I guess, with all of that in mind, I thought that purchasing the Red Norvo album, Windjammer City Style would be an interesting listening experience. It bills itself as the musical score from the Cinemiracle production, “Windjammer.” Both the movie and this record were released in 1958. Here’s what Wikipedia has to say about the “Windjammer” film:
Windjammer is a 1958 documentary film that recorded a 17,500-nautical-mile (32,400 km) voyage of the Norwegian sail training ship Christian Radich. Windjammer was produced by Louis de Rochemont and directed by Louis de Rochemont III. It was the only film to be shot in the widescreen Cinemiracle process, which came with a seven-track stereophonic soundtrack.
Here are images of the Red Norvo Windjammer LP:
I don’t know most of the songs from this record but I recognize the title “Memories Are Made Of This.” I believe Dean Martin had a hit with it:
The only other song from the LP that has a familiar title is “Marianne” and has been recorded by Harry Belafonte and there’s a live version by Trini Lopez on the album Trini Lopez at P.J.’s. Here’s Trini singing it as part of a medley from the P.J.’s record:
Now here’s Red Norvo’s version:
I haven’t listened to all of the tracks on all four albums. That’s another day. Not bad though for a quick stop at a thrift store….A Four Record Stop.
Well, we’re past the half-way mark of February 2026 and I was a little stalled about what to post for this new blahg. I had an idea but I had to stop being lazy and get around to doing some essential work. No, still nothing on my “Delbert Robinson” story. That’s more than a stall, that’s just complete and utter lack of interest to finish that story. Instead, like last month’s post, WARMING MUSIC FOR A COLD JANUARY, I’m going to go back the music.
Last month, Jeanette and I went back to Peterborough, Ontario to do some shopping. We were there in November of last year and there was a brand new Salvation Army Thrift Store but unfortunately it wasn’t going to open up until the end of November and we were three weeks early. We finally got back to the store. Before I talk about that, I want to mention the other reason we went back to Peterborough. For Christmas, I had bought my friend Bryan, 3 of the 4 Schitt’s Creek Funko Pops from the first series. Bryan is not a fan of Funkos but he always said he wished he had bought these. Here’s what they look like:
Unfortunately, I could not find #975, the David Rose Funko Pop. When I was in Peterborough, I stopped by a store by the name of Fly By Nite (I know, with a name like that you’d think no one should shop there).
They had all of the above pops except Moira Rose. This was of course, the day after the great Catherine O’Hara passed away who played Moira on the show. I hope some collector picked it up in honour of her. I manged to pick up the David Rose figure for a decent price and Bryan was glad to have it.
Also, while I was in Peterborough, I stopped by a collectible shop called “Things From Mom’s Basement.” The store is very crowed and almost like a fire hazard. Check out the photo below of outside the shop and another photo below that of the inside.
While I was there, I found a Rat Fink Funko Pop. I wasn’t looking for it and I didn’t even know it existed but I had to have it once I saw it:
Did I have room for it? Well, I had recently put these shelves up by my desk:
Notice that I put up Rat Fink on the top shelf. I’ve also decided to collect the Funko Pop releases of characters from the animated show, “Foster’s Home For Imaginary Friends”
I currently have the flocked Eduardo and Mac:
I’ve ordered a Bloo and will pick up the regular Eduardo. I decided to collect them because there’s another wave coming out:
I guess I’m going to have to add another shelf or two. I have also added to my Funko Sodas recently. I showed them all off in the UNPACKING THE 2026 FALSE DUCKS NEW YEAR’S DAY VIDEO RAMBLE blahg but have added a couple of new ones. A few weekends ago, I picked up two Frodo Baggins Sodas. Here they are alongside the two Bilbo Baggins Sodas my daughter Emily got me before Christmas:
The Frodo with the hood and the scary looking Bilbo are the chase variants. For a while, I only had the regular Plastic Man Soda release but I found a retailer with a few and I was finally able to get the chase version. The chase is the one with the twisted arms:
Okay, so back to stopping at the new Salvation Army Thrift Store. It was pretty much a bust. It looked nice in the window before the grand opening but I found that most of the stock were now clothes. Of course, I always have to check their record bins. That’s where this blahg gets interesting. I picked up two records. Here’s a shot of the covers:
Ray Herbeck (b. 27 November 1910, Los Angeles, California, USA, d. 17 January 1989, Phoenix, Arizona, USA) was an American band leader and alto saxophonist. With their theme song, ‘Romance’, Herbeck’s was one of the most commercially orientated orchestras of the day.
Formed in Los Angeles, California, USA, in 1935, the Ray Herbeck Orchestra soon relocated to Chicago to pursue the lucrative Midwest one-nighter circuit. was one Having previously worked with Leighton Noble, Herbeck recruited musicians George Van, Whitney Boyd, George Winslow, Benny Stabler, Bob McReynolds, Jay Stanley, James Baker, Jim Hefit, Bunny Rang, Art Skolnick, Louis Math, Tom Clark, Al Ciola, Chi Chi Crozza, Bob Hartzell and Leo Benson, alongside vocalists Betty Benson, Hal Munbar, Kirby Brooks, Ray Olson, Lorraine Benson, Roy Cordell and Irene Wilson.
Herbeck later married his vocalist Lorraine Benson (b. 19 April 1920, Pocatello, Idaho, USA, d. 10 August 1996, San Dimas, California, USA). With a supporting tag of ‘Ray Herbeck And His Music With Romance’, they offered a steady stream of sentimental numbers cultivated to the specific requirements of slow dancing, including songs such as ‘Time Stood Still’.
The 40s saw the band take engagements at famous hotels such as the Peabody, New Yorker, Muehlbach and Brown Palace, and there were few major ballrooms who did not book the band during their extensive tours. Over his career, Ray and his various bands recorded over 200 sides for Vocalion Records, Columbia Records and OKeh Records among many others, further exposure arrived during World War II with Herbeck’s band making over 300 USO camp show appearances to entertain the forces. They also appeared several times on Coca Cola’s Spotlight Bands radio show during this time. After the war Herbeck returned to California to play a year’s residency at the Riverside Hotel in Reno, then two years at the Last Frontier in Las Vegas. But by the early 50s he had given up music to concentrate on real estate businesses in California and Phoenix. He passed away at age 79 on January 17, 1989.
Both Ray and his vocalist/wife – Lorraine Benson – are buried in the Veteran’s Admin. Cemetary in Phoenix, AZ, USA. His son, Ray Jr., still has the original “book” and has produced a “Live” CD with the 1943 band including his mother Lorraine Benson singing. (Info mainly AMG)
Here’s a shot of the back of the the Ray Herbeck LP:
If you click on the image, you can see a larger version. It’s interesting to note that all of these tracks come from live remotes between 1947 and 1948. I’ve uploaded all of the tracks to YouTube and I’ll post them below and try to note the date and venue for these live tracks.
The first track is “Romance” from the Trianon Ballroom in Chicago on November 24, 1947:
“We Just Couldn’t Say Goodbye” with vocal by Lorraine Benson also from the Trianon on November 24, 1947:
“Kate” from the Trianon on the same date as the two above with vocal by Hal Munbar:
The location switches to the Radio Rendezvous in Twin Falls, Idaho on February 25, 1947 with “The Old Lamplighter” vocals by Buddy Burke & The Glee Club:
Here comes an instrumental of “12th Street Rag” from the Edgewater Beach Hotel in Chicago on November 1st, 1948:
Lorraine Benson is back with a vocal on “Playmates” back at the Trianon from November 24, 1947:
Hal Munbar is back in again with a vocal on “You’ll Always Be The One I Love” from the Radio Rendezvous on February 25, 1947:
Finally, side A ends with a Melody of “Ooh, Looky There; Ain’t She Pretty; Baby Face; and Heartbreaker” from the Edgewater Beach Hotel again on November 1, 1948:
Side B picks up with Lorraine Benson again from the Rainbow Rendezvous this time from Salt Lake City, Utah on February 27, 1948 and it’s “Little Boy Love:”
Hal Munbar returns from the Trianon on November 24, 1947 with a vocal on “I Wish I Didn’t Love You So:”
Vince Caplette sings “Possum Song” from the Radio Rendezvous on February 25, 1947:
Here’s an instrumental of “Bye Bye Blues” from the Rainbow Rendezvous on February 27, 1947:
“Daddy, Surprise Me” features Lorraine Benson’s vocal from the Edgewater Beach Hotel on November 1st, 1948:
“Johnson Rag” is a fine instrumental by the band from the Rainbow Rendezvous on February 26, 1948:
Lorraine Benson returns for her final vocal on “Tiss Me Or You Dotta Det Out” from the Rainbow Rendezvous on February 27, 1948:
“I’ll Get By” is the last instrumental by Herbeck before the closing number. It’s from the Trianon on November 24, 1947:
“Romance” from the Trianon on November 24, 1947 started off the “A” side of the album and it also closes out the “B” side taken from the same location and date:
My thoughts on the Ray Herbeck album is that it’s very pleasing. This is an orchestra I wasn’t aware of before finding this record. The live remotes are an added treat and they make it seem like it’s all from one location and one date. I couldn’t find any listings for any other Herbeck LPs but there are a couple of CDs of his material from 1940 and 1942. These were put out by Circle back in the mid 1990s so they might be hard to find. The first is “Mostly 1940”:
I don’t know much about it or if they’re live remotes or studio recordings, but here’s a picture of the rear of the CD with track listings:
Here’s an image of the second Circle CD, “1942”:
The rear of the CD notes that these tracks were recorded by Lang-Worth Transcriptions in New York City, March 9th, and May 6th, 1942:
As far as I know, the LP I bought is the only available source for the later 1947-1948 band led by Ray Herbeck.
The next album, “The West, A Nest And You” features a Canadian orchestra fronted by Mart Kenney. Here’s what I could find about Mart Kenney from the History of Canadian Broadcasting website, https://broadcasting-history.ca/personalities/kenney-mart/:
Mart Kenney and His Western Gentlemen. Canada’s leading dance band in the 1930s and 1940s. It was formed in 1931 for an engagement at Vancouver’s Alexandra Ballroom by Mart (Herbert Martin) Kenney (b Toronto 7 Mar 1910, d Mission, BC 8 Feb 2006; honorary LLD, Lethbridge, 1985), an alto and baritone saxophonist and clarinetist who played during the late 1920s in the CJOR radio orchestra and with Len Chamberlain at the Hotel Vancouver. The founding five – Kenney, the trumpeter-pianist Glen Griffith, the trumpeter Jack Hemmings, the saxophonist Bert Lister, and the bassist Hec MacCallum – were joined later in 1931 by the drummer Ed Emel and in 1932 by the vocalist-saxophonist-pianist Art Hallman.
The band made its radio debut in 1934 on CJOR from the Alexandra Ballroom and for three seasons appeared at the Waterton Glacier International Peace Park in Alberta. There, as Mart Kenney and His Western Gentlemen, it made its CRBC debut in 1934 with the program ‘Rocky Mountain Melody Time,’ taking the 1922 Billy Hill-Larry Yoell waltz ‘The West, a Nest and You, Dear’ as its theme-song. A succession of engagements followed 1934-7 at CPR hotels, including the Hotel Vancouver, where the band’s most popular CRBC/CBC program, ‘Sweet and Low,’ began in 1935. The band initiated summer tours of eastern Canada in 1937 and appeared for the first of many seasons at Toronto’s Royal York Hotel.
In 1938 it began recording for RCA and by 1951 it had made some 25 78s for its Victor and Bluebird labels, as well as 2 for the Dominion company. Hits included ‘The West, a Nest and You, Dear,’ ‘There’s Honey on the Moon Tonight,’ and the Kenney song ‘We’re Proud of Canada’.
Relocating in 1940 in Toronto, the band continued ‘Sweet and Low’ 1940-2 and was featured until 1949 on other commercially sponsored CBC programs. Its broadcasts were picked up in the USA by CBS or the NBC ‘Blue’ network and in Britain by the BBC. During four cross-Canada tours 1943-5 the band was heard twice-weekly on ‘The Victory Parade with Canada’s Spotlight Band,’ broadcasting from army camps and war plants. After 1949, Mart Kenney’s Ranch, a dance hall near Woodbridge north of Toronto, was the site of the band’s CBC broadcasts. Other bands also appeared there as Kenney continued to tour into the 1960s. With his retirement to Mission, BC, in 1969, the band broke up and the ranch closed. Thereafter Kenney organized orchestras for special occasions such as CBC TV’s ‘In the Mood’ in 1971 and a CNE appearance in 1975, and for engagements throughout the 1980s in the Vancouver area.
Although initially a septet, the Western Gentlemen among them played some 30 instruments and featured the vocal trio ‘Three of a Kind’ (Kenney, Griffith, and Hallman). A 12-piece band on its first recordings, it added four violins for ‘Sweet and Low’ from Vancouver and Toronto and for some of its later Victor recordings in Montreal. (Violinists in Vancouver included Ricky Hyslop and Cardo Smalley; in Toronto, Hyman Goodman, Samuel Hersenhoren, and Albert Pratz.) Featured singers were Hallman 1932-44, Eleanor Bartelle in 1936, Georgia Dey in 1937, Beryl Boden in 1940, Judy Richards 1940-3, Veronica Foster 1943-4, Norma Locke 1944-69, Roy Roberts 1946-9, and Wally Koster 1949-52. The band’s most popular vocalist, Norma (Beth) Locke (b Montreal 15 Oct 1923, d Mission 17 Sep 1990, a one-time student at the TCM and singer with the Joe DeCourcy and Howard Cable dance bands), married Kenney in 1952.
The personnel of the Western Gentlemen changed frequently after 1940, and some former members, including Bobby Gimby, Art Hallman, the pianist Jack Fowler, and the saxophonist Stan Patton, formed their own bands, which were initially managed by the Kenney booking agency, established in the late 1940s.
A versatile dance band, neither excessively ‘sweet’ nor too boldly ‘swinging,’ Mart Kenney and His Western Gentlemen made a particular impact on the Canadian public with their tours during the war years and achieved some popularity in the USA through their recordings and broadcasts. In 1980 Kenney was made a Member of the Order of Canada.
Here’s an image of the back cover of the LP and you can see a larger version when you click on it.
The back of the album mentions that the tracks are “as representative as possible of the music of Mart Kenney and his Western Gentlemen when they were in the heyday of their popularity in the late 30’s and early 40’s.” Unfortunately the album notes do no mention who performs the vocals on any of the tracks. I believe they are studio recordings. I have posted them all on YouTube as well but YouTube has blocked me from posting one song. I’ll mention that when I get to that track.
First up is “Sometime:”
Next up is “Blue Tahitian Moonlight:”
The third track on the “A” side is the one that YouTube has blocked me from posting. The song is “Ramona” and here’s what YouTube emailed to me:
Hi scobeyfan,
Copyright-protected content has been detected in your Short “Romona”. This content is currently not allowed in Shorts that are 60 seconds or longer. Your Short is longer than that, so it has been blocked.
Here’s what they further had to say:
Content owners: LatinAutor – SonyATV, Sony Music Publishing, Hexacorp (music publishing), LatinAutorPerf, UNIAO BRASILEIRA DE EDITORAS DE MUSICA – UBEM Content type: Melody or lyrics Impact on video: Blocked globally
If you look at the label for the record, it gives us a listing for the tracks and denotes that “Ramona” is contributed to L. Wolfe Gilbert and Mabel Wayne.
I don’t know why this version is blocked when I have found other versions of the tune on YouTube. Oh well, I’ll post the audio of Mart Kenney’s version of “Ramona” below
“Heart of Mine” is up next and it’s back to YouTube for this song and remaining tracks from the LP:
“Beloved” is last track on the first side of the album:
Starting off the flip side is “I Wonder What’s Become of Sally:”
“Surrender” is up next:
“Paradise” follows next:
“Gee, It’s Good To Hold You” is the second last track:
Finally, it’s the title track, “The West, A Nest And You!”
Again, I don’t have information about the vocals on the album. The tracks are lush and lean toward sultry. I’ve tried to find some live versions of Mart Kenney and his Orchestra but with no luck. I did notice that there was a 7 inch EP of live tracks released by Nomadic Records
The tracks on the EP are from live performances in 1946, as can be noted on the rear cover:
I don’t have access to that EP but I’ve found a National Film Board of Canada video, “Canada Calling”, that has a clip of Mart Kenney and his Orchestra performing. Their portion starts at 7:05:
The notation earlier from the History of Canadian Broadcasting website mentioned “Its broadcasts were picked up in the USA by CBS or the NBC ‘Blue’ network and in Britain by the BBC. During four cross-Canada tours 1943-5 the band was heard twice-weekly on ‘The Victory Parade with Canada’s Spotlight Band,’ broadcasting from army camps and war plants.” Someone has posted a Victory Parade of Spotlight Bands featuring Mart Kenney from February 2nd, 1943:
That’s it for this time. Two obscure records from one thrift store. Two bands that were not well known to me but certainly very pleasurable. Maybe I’ll find more from these bands. I bet you won’t find “Ramona” anywhere else.
It’s January 1st, 2026 and time for my 2026 False Ducks New Year’s Day Video Ramble. I recorded the ramble earlier today after I drove out to Wellington, Ontario to do a Polar Dip. That didn’t happen because I couldn’t get to the water. The first video shows the water and the ice ridges today in Wellington:
Here’s the 2026 video ramble. I will unpack it all in another blahg on another day. By the way, that’s chocolate on my upper lip. No resolution to give that up!
Ho, Ho, Ho Good Neighbours, I’m back with another quick blahg before Christmas. I know I said I probably wouldn’t get around to one but I had an idea yesterday and instead of letting that idea die of loneliness, I’m acting on it. In my previous blahg, THE TWO AND TEN…A CHRISTMAS GIFT EXCHANGE, I presented my newest short story that is also the title of the blahg. In this current blahg, I decided to revisit some old Christmas poems that I have written over the years. Many of these are over 30 years old. Others are bizarre, I have to admit, but I’ll present them as written. In between, I’ll post some pictures of our Christmas decorations this year.
First up is a poem I wrote on December 4, 1985. I was playing around a lot with style and indentations back then. I’ll present it as written:
CHRISTMAS IN ATLANTIC CITY
Craps! – You lose!
I’ve never been
to Atlantic City;
never been
to Vegas;
never seen
the big names in lights
but
I’ve woken on Christmas day
and found what I’ve needed
dancing on our tree
That last line speaks of a Christmas Tree. Below are two pictures of our tree this year. The first has the starburst tree topper and the second has the newly purchased star that is the exact same as one we used to have:
This next poem was published on December 20, 1985. Again, I was experimenting with margins and design. Make your own conjecture what the symbolism and meaning was of the poem:
CHRISTMAS IN THE ASYLUM
They’ve gone out
and pulled down
the Christmas Star –
–said they wanted to know…
needed to know—
–and so it’s all empty up there now.
They’ve gone about
and messed it all up
and so the whole day’s ruined
but they contend
the Star had nothing to do with it.
Christmas is a lot more
than that old satellite
and we’ll all find out
as soon as they’re finished tossing away
the wrapping;
we’ll find out
and admit to ourselves
the gift is still there inside
and we don’t really mind
getting the same thing
every year…
but we wish we knew how
to use it.
The reference to the star prompts me to post a picture of our tree in 2020 when our old five pointed star was stilled nestled at the top:
The next Christmas poem, was actually featured in a blahg I published on December 1, 2011 with the title, DAVID LETTERMAN BROKE MY COOKIE. The poem was originally written on December 3, 1986 and deserves a reprint.
dear Santa
I was maybe nine
when my parents
up and told me
there’s no Santa Claus
and I suspected
at the time
that they weren’t
bein’ truthful ‘bout that
but now
I’m pretty sure
they were
mistaken
‘cause I saw old Nick
the other day
at the mall
and I can’t help wonderin’
if he knows
parents are tryin’
to suppress
his existence
all over
and why is that?
what have parents got
against Santa?
ya know it just might be
that Nick’s too powerful
fer the average parent
‘cause all year long
moms and dads
try to discipline
their kids
without success
but ya mention
Santa
anywhere near Christmas
and control is
immediately established
and maybe that’s it!
maybe parents
get their egos bruised
by the idea
of some
white bearded old goat
havin’ more clout
than them
and maybe that’s why
after eight or nine years
the kids are told
this lie
about St. Nicholas
bein’ a myth
so’s parents can say
“LISTEN UP,
WE’RE THE BOSS.
THERE’S NO SANTA
JUST US
AND YOU EITHER
LIKE IT
OR LUMP IT!”
but I’m not sayin’
I disagree with
this method
‘cause at some point
ya gotta outgrow
the need for Santa Claus
and ya gotta depend
on the family
and what they can do
fer ya
and ya’ll be
a better person
more rounded
not in the gut
like Santa
but in yer outlook
sure, the method’s okay
but what if
ya reversed the order
and said right off
right at birth
“KID YOU’RE GONNA HEAR A LOT
ABOUT THIS
SANTA CLAUS
BUT DON’T BELIEVE IT.
WE’RE THE ONES
YOU HAVE TO RESPECT.
WE’RE THE ONES
WHO ARE
LOOKING OUT FOR YOU.”
and maybe later
when the kids are older
and have lost
all faith
in mankind
and have given up
on anything magical
ya set ‘em straight
‘bout Nick
ya tell ‘em
ya lied
and there really is
this St. Nicholas guy
and he’s alright
and as long as
they believe in him
they’ll be alright too
and wouldn’t it be easier
that way?
wouldn’t it be nicer
to know
ya haven’t ruined
yer kid’s entire life?
sure tell ‘em ‘bout Santa
and they’ll pass the word
and they’ll believe
and behave
and ya’ll have
no more problems
in discipline
if ya use Nick’s name
‘cept maybe ‘round Easter
when his moniker
brings no pull
whatsoever
I guess, because there was a reference to Santa, I can post some of my yard decorations that feature many Santas:
The following poem was also written in 1986, on December 23rd:
about Xmas
now I don’t expect
ya’ll get the meaning
of that
till sometime
in mid-july
and ya’ll be sittin’
in the cab
of a half ton truck
stopped at a railroad crossin’
and ya’ll look up
at that big X-sign
and ya’ll remember
mid-december
in yer winter parka
at the Kmart checkout
behind someone searchin’
through her purse
fer the correct change
I have no symbolic pictures to go along with that one but at least you know now why it’s called Xmas. Let me post a picture of my mantel ornaments display instead. Click on any of the pictures in this blahg to get a bigger view and to zoom in.
Six years would pass before I would write another Christmas poem. This one was penned on December 21, 1992:
A Christmas entertainment
in da few days before Christmas I realize
dere’s a soft front tire
(on my wife’s car)
dat a book store’s not da place
fer last minute shoppers
with alphabetized sections not
dat holidays aren’t holly days
‘cause da nurseries are out
dat ‘tis da season of Xmas spirit
is full of mean spirited
‘cept da older lady
who whispered “jewellery counter”
in my ear
at da end of a thirty person ‘cash only’ line
in Kmart
I guess I really liked Kmart back then because it gets referenced twice. Here’s my last photo I’ll post for Christmas this year. Here are all of our Nutcrackers (although I think I’ve added at least one more since this photo was taken):
My Christmas poetry output definitely slowed down as I entered the 1990s. The last holiday themed poem was written December 20, 1995. Jeanette and I had been married eight years and we had two children by Christmas 1995. I guess I was busy with other things. That was definitely the inspiration for this poem
the miracle
I don’t believe the birth was the miracle
rather the extension of family
from couple to couple plus
might be the cause for celebration
wrapped in swaddling
dressed in disposable
indispensable
indisputable
those wise men
giving council perhaps
this is how you were
this is how you will be
no more you and him or you and her
now mother and father ad infinitum
this christmastide now reviewing the nativity
and casting credence to a bearded man
who might be a throwback to the magi
I wonder if mary and joseph had only known
they might have taken more time for themselves
en route to bethlehem
I thought that would be the last poem but I decided to write a new one, today, December 22, 2025.
this one day
this one day
not twelve
comes
like a freight train
or a sleigh ride
in keeping with the season
softly creeping
or ever-present
until ‘what Christmas, already?’
utters the inevitability
decorated with glitter and tinsel
adorned with words not heard at other times
yule, nativity, frankincense and myrrh,
Scrooge, Grinch, Santa
pick your embodiment
yet there’s something else
good will
good intentions
glad tidings
a wrapping for the masses
this one day
crammed with holy holy holy
or holly holly holly
jingling over a blanket of white
or green in different hemispheres
welcomes most
invites the least
celebrates with feast
this one day
no sharper or gentler than others
is gone too soon
with all the potential
leaving hopes or dashed dreams
but anticipation of better days
for another day
one more day
if not once again
this one day
Have I still got it or what? That’s my self-inflation for today. Merry Christmas and Happy New Year if you celebrate it. If not, take it in the spirit it’s offered.
Well, it’s December 20th, 2025 and I might not write another blahg before Christmas. I guess I better make this one count. I’m going to debut a new Christmas short story. It has the distinct title of “THE TWO AND TEN…A CHRISTMAS GIFT EXCHANGE.” I think I did a good job with it but then I’m biased.
This story relies heavily on some real traditions and real items in my house or events that have happened over recent Christmas or some when my children were younger. None of the conflict with the Father and his Brother are based on fact but we really do have a two and ten Christmas gift exchange in our house. We draw names twice. The first person selected, you purchase a gift up to a value of two dollars. Of course that amount has risen to five dollars this Christmas. The second amount is no more than ten dollars. You can’t draw yourself and you can’t draw the same name for both the two and ten.
Other items mentioned in the story rely on real events. The following five pointed star was our tree topper up to a few years ago when it failed and couldn’t be repaired:
It was replaced by a eight pointed starburst version which is nice but wasn’t the same:
Recently I found the exact same five pointed store at a thrift store and it was in the original box. Here it is now, atop our tree:
Other items incorporated in my story include our mantel display. Here’s our 2025 Christmas mantel Christmas display and if you zoom in you can see some of the unique items:
One of the favourite items also mentioned are the carolling bears atop a book:
A second mention goes to the naked Santa:
Again, even though there are some real elements in my story, it is not reflective other real events. Here’s the story, enjoy!
THE TWO AND TEN…A CHRISTMAS GIFT EXCHANGE
BY
SCOTT HENDERSON
Truth be told, it didn’t start out as two and ten. In fact, it could have been one and done in the beginning but there was no second amount back then so one stood alone. Lately, however, it had risen to five and a second amount of fifteen or what the son had conjectured that the market could bear.
It was a family gift exchange and the two and ten referred to the dollar amount each person was allowed to spend on the family member whose name they randomly selected in the draw. By the end of October the selections would be made and a corresponding list was pinned to the refrigerator. By early December everyone had forgotten for whom they were to have purchased a five dollar gift and who was the secondary at fifteen. The list would be referred to and poked at and smudged by fingerprints until the presents were all purchased and wrapped; with the list eventually recycled.
Dad always claimed it was based on a family custom but there was little fact in the legend. Dad had said when he was younger, he didn’t have the wherewithal to buy his brother a gift but one Christmas he found a quarter and turned it over to his brother with nothing expected in return. Lore had it that the brother was so touched he gave his younger sibling a baseball card which would have been worth forty-eight dollars today if dad hadn’t mislaid it over the years. Father sometimes also offered a different version of the story. Yes, he had found a quarter but it had belonged to his brother and he had had no intention of giving it up. Forced by his parents to return it, he did so reluctantly; all the while vowing and plotting his revenge. The brother immediately bought himself a package of hockey cards and quickly consumed the solitary gum in the pack lest he be forced to share. Father, even more incensed by the lost opportunity of sharing in the gum than the loss of the rightful finders-keepers-losers-weepers quarter eventually got even. In the spring, he liberated one of the cards from the pack and attached it to a spoke in the rear wheel of his bicycle with a clothes pin and rode around the neighbourhood until he could no longer hear the clacking sound. The card was lost for all time and the legend grew of a rookie card worth several hundred dollars floating among the sewers, devoured by a stray canine, or mulched among the leaves by a gas powered mower. One and done.
Father carried the spirit of the exchange forward with his own children. He couldn’t remember how old they were when the practice started anew. He remembered well, however, that none of his three children, when they were younger, ever really had much pocket money so the parents were often called upon to bankroll the two and ten. Mom and Dad both found it oddly strange to subsidize their own gifts when either of the two daughters or the son drew their parents’ names. Father also recalled walking through thrift stores with the children and pointing out items he thought were suitable ideas for the exchange. He’d often had to put on a very surprised face when he was one of the recipients of an article he himself had pointed out days or weeks earlier.
The girls were always thoughtful with their time and gifts; even if they had needed financial support when they were younger. The son needed a little more coaching. Father remembered once pointing out to the lad a ceramic ornament in a second hand shop of three small bears caroling while balanced atop a stack of books. He commented how nice it would look seated atop their mantel. He wasn’t surprised when the son immediately asked for the loan of two dollars and the decoration found itself wrapped beneath the tree. The item had only cost half of that which Father had spotted his son and the boy might have pocketed the difference. Still, Father, observed later, it was the thought that counted.
Sometimes the son could be full of other surprises. Father would often comment about a book he’d like to read or an album he’d like to own and then be pleasantly stunned to receive it labeled from the boy to him. He often thought that Mother had lent a hand on those occasions but it was Christmas and he preferred to give his son the credit.
The mantel items grew through the gift exchange every year and annually the process of cleaning off the yearlong items from above the fireplace, and replacing them with Christmas themed notions, lengthened. Soon there wasn’t a space left. That didn’t stop the items from coming and older curios removed to make room for new ones.
Father also loved nutcrackers and these ranged in size from the handheld versions to ones that dwarfed two feet or more. The whole family indulged him and they spent the whole year looking for unique nutcrackers to add to the collection. Ones purchased after the holiday season would sit atop a book shelf in the living room and then be added to the main assortment the following Christmas. It wasn’t uncommon to spot seven or eight new figures grouped together even in the middle of summer. By the following Christmas there would be another dozen and a half new acquisitions. The mantel soon became a nutcracker free zone as the collection grew and they required relocating in another part of the living room. Father built a special shelf to house them all but this too, like the mantel, required adjustments and additions to the shelving to accommodate the growth of the nutcracker family.
Not all of the nutcrackers were new and some had suffered damages even before they found their new home. There was a pirate version that was missing his eye-patch. A couple had lost their swords or walking sticks while others were missing their beards, appendages, or other items they once held in their hands. There was one missing a hat and another a boot. Father would joke about these and talk about the nutcracker wars and how these veterans had not made it through unscathed.
The mantel menagerie continued to grow as well. There were more than a hundred items crammed across the ledge above the hearth. There were numerous Santas and snowmen. There was a trio of ice-skating penguins. Christmas trees festooned with colored lights and trifles were surrounded by angels and other holiday themed characters. There were cats and dogs and birds and polar bears and reindeer and other sundry animals in festive costumes or holiday scenes.
“Why are there no Christmas monkeys?” Dad would ask every year when they worked to put up the display. He would often add “this mantel is getting too full. It needs another tier. Is there such a thing as a bunk mantel? You know, like bunk beds?” He was the only one who would laugh at this joke.
Front and center was always the little caroling bears ornament given by the son years before. It was a favourite of Father’s as was the comical trinket that stood next to it. The youngest daughter had gifted Father a ceramic outdoor shower with a door that swung open to reveal Santa in the altogether with only a stocking strategically placed to cover Santa’s nether-region. The youngest daughter had a wry sense of humour when it suited her.
On Christmas Eve there was always a fire in the grate. Mother would turn off all of the lights except those dancing on the tree. The family would stand back and look over the mantel display and enjoy the warmth of the room. Usually one of the daughters would rearrange certain items to bring forward a favoured treasure. Father would smile and watch and then think to himself that huge delights came in small wonders.
The family would inevitably turn and take in the Christmas tree. A real one always stood in the corner. Father did not believe in artificial replacements. In addition to the lights it would always be decked from top to bottom in items of various sizes and array. Old baked dough ornaments, crudely hand-painted by younger hands, nestled in the tree. Newer decorations lurked behind valued items. Some of these had been gifts for the two dollar amount before it gave way to the new five dollar base expense. Wrapped around the entire fir tree was a string of gold garland that had been patched and lengthened over the years. Splices were strategically hidden by balls and baubles and, in one particular spot, by the figure of a robin who Father quipped refused to fly south for the winter.
Above everything perched the star. For Mother, it was the one thing that cast a shadow on all their Christmas traditions. Gone was the original five pointed version, purchased many years before she and Father had expanded their family. It had been supplanted by a newer starburst design. It was beautiful but not the same. The cherished heirloom had burned out and Father could not repair it. The wiring had become faulty with age and even the plastic peg that held it to the tip had become brittle and broken. For the last two years of its life it had been held aloft by a green hair clip.
When the children were younger, after viewing the mantel arrangement and the tree in turn, they’d ask Father to tell them the tale of the nutcracker wars and the myth of the original gift exchange with his brother.
The story of the nutcracker wars had grown over time and Father would delight in grabbing up some of the figures in turn and moving their mechanisms while he voiced their opinions.
“I don’t know how it started,” one black bearded character would begin, “but I know it was the fault of the white beards.”
“It all had to do with the dark beards,” a white beard would counter.
Different crackers were swapped out and different parts of the story were carried on with Father bringing in accents and modulated voices to embellish the mythology. Representatives of the injured class would speak of how they lost limbs or accessories.
“I miss my arm,” one would recall. “I lost it in a sword fight to a beardless trooper with a gold crown. I thought he was taking on airs and so I challenged him to a duel.” There was a beardless crown adorned soldier in the collection that would be called upon to comment but would always feign off by stating “I have no recollection of the event.” There was never an explanation on how he lost his beard.
The fable of the original gift exchange and the loss of the sports card was a more difficult saga for Father to recount. He had not spoken to his brother in some time and the memory of their youth was too painful now to try and spin into a Christmas convention. Father preferred to expand on the nutcracker wars and would beg off expounding on his family drama until the children stopped asking about it. Eventually both parables ceased to be requested by the children as they aged.
Father and the Uncle had become estranged since the death of the children’s Grandfather. Old hatreds loomed and bitterness festered between the brothers after their own Father’s passing. Responsibility for their Mother didn’t seem to be equally shared. The Uncle, being the oldest, didn’t feel the obligation. He wasn’t a family man. He’d never married and he didn’t have children. He deferred to his younger sibling saying he was obviously better qualified. Gradually the need to exchange pleasantries dwindled to no contact whatsoever. There were no calls or cards or letters. The elder took a job and moved further away. His distance became another excuse for commitment to his surviving parent. Father heard news of him occasionally from his Mother. He struggled to give proper interest to his brother’s doings. His Mother didn’t interfere but Father knew it hurt her nonetheless to see the remoteness between her sons.
It was his own son who asked this Christmas for the retelling of the original gift exchange. The request was unexpected. Father was taken aback. His first reaction was to respond in the fashion of the crowned beardless nutcracker and reply that “I have no recollection of the event.” Instead, Father looked thoughtful and then began to speak.
“Let me tell you the story of the first gift exchange. It took place a long time ago, long before even the nutcracker wars. Three kings, crowned but bearded, followed a star to Bethlehem. They took with them precious gifts of gold, frankincense, and myrrh. There was no value implied. In fact, it wasn’t much of a trade because the kings expected nothing in return. They sought only to worship the child born in a manger but were rewarded with a profound feeling of peace, love and understanding. The exchange had been fulfilled.”
Father looked around. Mother had tears in her eyes. The children were speechless. If any of them thought he had deliberately avoided telling of the alleged tradition with his brother then none felt it necessary to speak up.
Uncomfortable with the sudden quiet, Father decided to bring everything back to the present.
“Who’s ready for the two and ten?” Father asked.
“The five and fifteen, you mean,” the eldest daughter said.
“Or whatever,” the son chimed in. Father didn’t offer his own correction to the son’s thoughts. He was still pondering on the son’s odd request for the retelling of the family gift exchange.
Christmas Eve was always reserved for the gifting of the denomination presents. If someone was satisfied with their bounty it sent them to bed with pleasant dreams. If displeasure was felt, it left hope for better offerings to be received in the morning.
This night there was no disappointment. All of the gifts had registered appreciation and delight in every member of his family. Maybe it was truly felt or maybe the impact of Father’s retelling of the gifts of the magi had made everyone think twice about even displaying dissatisfaction.
Father, himself, had cheated this year when it came to the gift exchange. He had drawn his youngest daughter’s name but had swapped with his eldest daughter when the list revealed she had drawn her Mother. It still gave time for the older sister to find something suitable for her younger counterpart.
“I drew Mother,” Father exclaimed in turn after all the others had received their five dollar gift. The opening always worked from youngest to oldest when it came to the lower amount and then reversed order for the slightly more expensive. Father cast a knowing eye in the direction of his first born. He had had to let her in on the secret in order to make the trade.
Motherly gingerly unwrapped her gift. When finished, she stared intently at the contents and began to weep. Here was the five pointed star in its original box.
“How?” was all she could say through her tears.
Father told of his second-hand store find. He had walked alone among the Christmas shelves, looking to add to his nutcracker ensemble, when he spotted the star tucked behind a row of holiday themed mugs. The fact that it was still in its original box made it all the more special.
Mother silently detached the star from its case and handed it to Father. He removed the starburst version and placed the original, but newly acquired one on top of the tree and plugged it in. He had made sure it lit properly before he had made his purchase. It didn’t shine any brighter than the starburst variety but it seemed to fill the room with an indefinable brilliance.
“Can I have the starburst one?” the oldest asked. “I’ve gotten used to it. I’d like to have it for my own tree when I move out someday.”
Father retrieved a towel and gently wrapped the topper and placed it in cardboard box. He taped it closed and wrote “starburst” across the lid and the name of his daughter underneath. He did not look forward to his daughter leaving the nest one day but he’d safeguard the star for her against the inevitability.
Father’s five dollar gift was a ceramic monkey gifted to him by his youngest daughter. It wore a red Santa Claus coat and held out ceramic cymbals.
“I made it during our pottery segment in art class. My costs were the paints and a new brush. It’s your Christmas Monkey!” She beamed with pride.
Father chuckled and then hugged his daughter. He went to the mantel and pushed apart the caroling bears and the showering Santa. The Christmas Monkey would forever be front and center.
“It looks like we’re going to need a bunk mantel,” the son observed. Everyone laughed.
It was Father’s turn again to receive a present as the order was reversing again for the ten dollar gifts. The son plucked one from under the tree and handed it to his parent.
Father made a big deal of feeling the wrapping all over. It was flat and thin and hard when tapped on what he perceived to be the front.
“I’ll bet it’s a basketball,” he mused. The son just stood pensive and waited for his Father to open the present.
The wrapping came away easily and revealed an old photo. It had been digitally enhanced and enlarged and the colours were more vibrant. It was a picture of Father and his brother from younger days.
Before Father could find the words to ask about it, the son spoke up.
“Grandma let me go through all of her old photo albums and other things in her attic. This one was actually found at the bottom of a box of Christmas decorations she had pulled out. She couldn’t explain how it had gotten there.”
Father knew. In fact, it was from an old Polaroid taken on a long ago Christmas morning when Father was nine and his brother, eleven. That year they had both received matching plastic torpedo run sleds. Brother’s had been blue and the other was black. They had gone out that holiday afternoon and tobogganed until it was dark outside. They both had completely missed Christmas dinner. Their Dad had given them a stern look on their return but their Mother had understood and kept their plates warm in the oven. Boys would be boys.
Their Mother had taken the photo in the morning and had placed it among the Christmas tree branches. It had been taken down with the decorations after New Year’s and languished all these years. Father hadn’t seen it since. The picture may have been long forgotten but the memory of the yule sledding still resonated.
Father looked up to see his own son’s face. There was worry or confusion in the boy’s look.
“Wrong?” was all the son could think to ask.
“Absolutely not,” was Father’s short reply. He felt like Mother after she had opened the five pointed star. He didn’t weep but his eyes were moist and he lowered his head to look at the photo again.
His male offspring had put a great deal of time and effort to make the two brothers from the snapshot look like they’d just had their photo take that morning. The son had not chosen an inexpensive frame either. If Father could have squeezed it up on the mantel next to the ceramic Christmas monkey he surely would have tried. Instead he held it tightly with white knuckles and vowed to put it above the fireplace after Christmas with the other pictures and items that had been removed to make place for the holiday display.
The rest of the family opened their gifts. Father stared intently at his younger self and his now estranged brother. How could two close members of a family have drifted so far apart? He thought on that for the rest of the evening. He lay awake long in the night ruminating on the question. In the morning he still continued to ponder the issue.
After the Christmas day gifts had been opened and the festive brunch had finished, Father slipped away quietly and made two telephone calls.
The first was to his Mother to confirm that Christmas dinner was at two and he would drive over and pick her up at one. That way she’d have time to visit with the children. He told her about the photograph. She knew what was on his mind and was forthcoming with her other son’s number.
Father’s second phone call in private was to his brother. It was all kinds of awkward but the memory of the Christmas sleds urged him on. It became easier and the reminiscence of that all day toboggan ride was only one of the memories they shared.
Brother was in a relationship now. He was dating a woman with two sons of her own. He’d like to bring her and come for a visit in the New Year. Father said he’d like that. Old prejudices stayed buried. Brother provided his new address. Maybe Father and his brood could make it that way sometime? Father said he’d see.
Later when he picked up his Mother, Father helped her into his car and told her about the phone call to her other son. Mother patted him on the head and smiled. He was nine again and all was forgiven. This time he was keeping her dinner warm in the oven.
That evening, Father slipped away again. He closed his bedroom door and rooted out an old tin box from under the bed. Inside were many objects he once held special and dear.
There was the yo-yo he always longed to dominate. Beside that was a Hohner Comet harmonica one of the children had gifted him once on a Father’s Day. That, too, he still hoped to master. There were other things tossed loosely in the box, along with a handful of change of different denominations. Every coin was something he once thought important for some reason or other. Now, he couldn’t recall why.
At the very bottom of the box lay a single article wrapped in aluminum foil. It was the hockey card he had liberated from his brother’s pack. That part of the legend was true but he’d never attached it to his bicycle. He’d used a playing card instead. The card had been held and treasured by Father. The image of the player was not familiar. He only recognized the name of the team. It probably held no value…except to him.
Father gently removed the card and took it to the kitchen table. There were some unused festive cards in a box on top of the refrigerator. He wrote one out to his brother and wished him a Merry Christmas and then signed his name. He enclosed the card and then scribbled his sibling’s new address on the envelope. Two days later he took it to the post-office and dispatched it on.
Early in January, Father received a reply. The holiday card inside was from his brother. He had scratched out Merry Christmas and penned in Happy New Year. He’d signed it with love. Enclosed was a quarter. Father eventually placed the coin in his metal box. He’d always remember where this one came from and why he kept it.
Well, it’s done! In case you don’t know or haven’t been following along, I had committed to reading all 79 short science fiction stories of the virtually forgotten author, William Morrison. I started talking about this in a previous blahg, THE SLY BUNGERHOP ET AL, and provided updates in the subsequent blahgs WILLIAM MORRISON…HALF-WAY THERE and WILLIAM MORRISON AGAIN…NOT DONE YET. At the end of that last blahg, I had reached the 69 out of 79 mark with ten to go. With only ten left, I thought it would be clever to do a countdown for that last 10.
First, let me recap what stories I had left:
Unwelcomed Visitor, If, October 1954
Music of the Sphere, Fantasy and Science Fiction, October 1954
The Ardent Soul, The Magazine of Fantasy & Science Fiction, December 1954
The Hollywood Habit, Fantastic Universe, April 1955
Hiding Place, Fantastic Universe, June 1955
Picture Bride, Galaxy, June 1955
Spoken For, Galaxy, July 1955
The Head Hunters (with Frederik Pohl), Fantastic Universe, January 1956
Star Slugger, The Magazine of Fantasy and Science Fiction, June 1956
Stepping Stone, The Magazine of Fantasy and Science Fiction, December 1957
This batch of stories are full of the Morrison humour and some of that borders on the dark side. One of the stories also appears to be out of place. As a reminder, I started reading in alphabetical order before switching to chronological order. The very last published William Morrison short science fiction story was “A Feast of Demons” published in Galaxy magazine in March of 1958 but I read that earlier on. The final 10 were published, as you can see, from October 1954 to December 1957. Let’s get into it.
#10) Unwelcomed Visitor, If, October 1954. This is a fun story. An alien comes to Earth and no one pays him any attention. He eventually learns that with books, radio, television, and movies, the citizens of Earth have seen it all when it comes to stories of visitors from outer-space so when it finally happens, no one is surprised!
9) Music of the Sphere, Fantasy and Science Fiction, October 1954. A scientist comes back to Earth after spending two years in isolation on an asteroid. When he comes back, everyone he encounters is caught up a contest to see who can play a strange tune. It drives the scientist nuts and he has to find out what’s behind it all. It was an interesting premise but it lacked humour and I think that would have put this one over the top.
8) The Ardent Soul, The Magazine of Fantasy & Science Fiction, December 1954. If “Music of the Sphere” was missing the Morrison humour then “The Ardent Soul” makes up for it. It’s an updated Cinderella story where the main character, a male, is a descendant of St. George of the St. George and the Dragon fame. Yes, there’s a twist of there being a step-father and step-brothers in this story. What did our hero inherit from St. George? Or did he inherit it from the Dragon? This was a very funny read and the story title got a mention on the cover.
7) The Hollywood Habit, Fantastic Universe, April 1955. This was a very short story, running about five and half pages. Yes there’s humour but there’s a tinge of darkness to this one. A Hollywood actor keeps going through wives until someone discovers maybe each wife is not different but a variation of the first wife. What happens when the newest wife catches on? What’s her revenge?
6) Hiding Place, Fantastic Universe, June 1955. A Chemist turned Detective has to find out where a scientist has hidden a secret formula. Once he finds the location, what’s he to do with it then? Not a humorous story but a moral laced one that reads well.
5) Picture Bride, Galaxy, June 1955. A man says he’s in love with a woman on his television screen. The thing is, she’s real and lives in the distant future. What’s a guy to do? Interesting premise and a good read.
4) Spoken For, Galaxy, July 1955. This one is similar to “Picture Bride.” Both are sweet stories that make for interesting reading. On one of Jupiter’s moons a woman discovers a man searching for his family. She becomes enamoured of him but can she really help someone who has woken up in a distant future and doesn’t realize his family is long gone?
3) The Head Hunters (with Frederik Pohl), Fantastic Universe, January 1956. This is a rough and tumble story on the dark side. Again, no humour in this one. A male and female scientist try to escape the murderous wrath of a second male scientist on a remote planetoid. They’re not alone because there are worker robots. What happens when the robots are taught that the evil scientist is defective? What do you do with a defective robot after all? Again, another darker tale. William Morrison co-authored this one with Frederik Pohl.
2) Star Slugger, The Magazine of Fantasy and Science Fiction, June 1956. This is a story that I found out of place…or maybe out of time. It is suited more to an early or mid-1940s type of story. A group of Earth baseball players have to find a way to win a game against another team when they play on Mars. Interesting but suited to an earlier decade.
1) Stepping Stone, The Magazine of Fantasy and Science Fiction, December 1957. This is another story that William Morrison co-wrote with Frederik Pohl. What an interesting story to finish off with as the last William Morrison short science fiction story I had to read. I don’t know if this a parody or mockery of Nazi takeover from the 1940s. An alien comes to earth and proclaims himself the new Viceroy. A Chemist, nagged by his wife, has to work in the new order and try to work his way up the ranks. He eventually finds a way to take down the Viceroy. Mild humour but it definitely makes you think what some European countries had to do under the oppressive thumb of Hitler. The story also got a mention on the cover but the cover art is not representative of this story.
That’s it. I have read all 79 short science fiction stories by William Morrison. It’s sad that very few people have heard of him. He wrote some very good short stories. I think my favourites from this last batch were “Unwelcomed Visitor” and “The Ardent Soul.” Both had the Morrison sense of humour. So, what’s next? There are a couple of longer stories that he wrote under the name Brett Starling, “Worlds To Come” in “Captain Future, Spring, 1943,” and “Days of Creation” in “Captain Future, Spring, 1944.” “World To Come” is listed as “A Complete Book-Length Scientifiction Novel” and runs 63 pages. “Days of Creation” runs 68 pages and is also noted as “A Complete Book-Length Novel.” I didn’t include them in the 79 I read as they were written under the name Brett Starling while the 79 were published as William Morrison stories. Of course William Morrison was a pseudonym for Joseph Samaschon. There’s also Morrison’s novel ”Mel Oliver and Space Rover on Mars” published by Gnome Press in 1954 and a bunch of Detective and Western stories also published under the name of William Morrison. I don’t have all of those yet but I’ll get a start on them soon and will post about it here. Do yourself a favour, track down the Morrison science fiction stories. There’s great reading in store for you, if you do.
A couple of blahgs back, WILLIAM MORRISON…HALF-WAY THERE, I posted an update on my attempt to read all 79 short science fiction stories written by Morrison. At that point, I had read 43 stories and provided a bit of a review for some of them. I had read up to “The Joker” that had been published in Fantastic Adventures, December 1951. As I had noted in that previous blahg and the one before that, THE SLY BUNGERHOP ET AL, that very few of Morrison’s short science fiction stories had been published in anthologies and the only other place to read them was by tracking down the original publication, like the Fantastic Adventures from December 1951. That’s what I’ve been doing. I’ve found a few online sources to download and read the stories and this is an update on my progress to finish reading the remaining 36 stories.
The title of this blahg should explain that I’m not quite finished reading the rest of the stories. As of the writing of this blahg, I have read 69 of the 79 short science fiction stories. Here’s a list of what I’ve read in the past few weeks:
1944:
The Companions of Sirius – Captain Future, Winter 1944
1952:
The Addicts — Galaxy, January 1952
Asylum — Marvel Science Fiction, May 1952
The Luckiest Man Alive! — Science Fiction Quarterly May 1952
Shipping Clerk — Galaxy Science Fiction June 1952
New Universe — Startling Stories July 1952
Temptation — Fantastic Adventures – July 1952
Runaway — Galaxy Science Fiction November 1952
Scent Of Danger — Science Fiction Quarterly – November 1952
Dragon Army — Fantastic Adventures, November 1952
Revenge — Space Stories December 1952
1953:
Forgotten Danger — Science Fiction Adventures February 1953
The Hunters — Space Science Fiction – February 1953
The Gears Of Time — Space Stories – April 1953
The Haters — Rocket Stories, April 1953
Long Life to You, Albert! — Science Fiction Adventures July 1953
Task of Kayin — Planet Stories July 1953
The Weather on Mercury — Galaxy July 1953
The Model of a Judge — Galaxy – October 1953
1954:
Split Personality — Fantastic Story – Winter 1954
G’rilla — Beyond Fantasy Fiction January 1954
Playground — The Magazine of Fantasy and Science Fiction, February 1954
The Inner Worlds — The Magazine of Fantasy and Science Fiction, April 1954
Heads You Lose — Beyond Fantasy Fiction May 1954
Messenger — Imagination July 1954
There Ought to Be a Lore — Magazine of Fantasy & Science Fiction – September 1954
I should note that I had missed “The Companions of Sirius” from the pulp magazine Captain Future, Winter 1944 when I had first started reading the stories. I had to loop back and read that one and that’s where I will start off. I’ll admit that I didn’t remember much of this one because it was the first of 26 stories I read this time around. The earlier stories by Morrison from the early to mid-1940s are very rough and tumble with a dash of romance thrown in for the hero. The tag line is the best description: Trapped Aboard a Spaceship by Three Ferocious Criminals, Ross Jameson and Lora Page Struggle to Balk a Sinister Scheme! By the way, Sirius is the name of the spaceship they’re all on.
Moving back to the correct chronological order, I started in with seven stories from 1952. The first of these was “The Addicts” from Galaxy, January 1952. Not a lot of humour in this one but an interesting story nonetheless of a couple on an asteroid running out of supplies with hostile creatures outside. The husband is also addicted to a drug that makes him happy and calm and the wife wants him off his addiction. The solution? Drug the beasts! Interesting story but not enough of the Morrison humour for my liking.
I won’t go through all of the stories in depth but will highlight where I can. “Asylum” from Marvel Science Fiction, May 1952 dealt with another form of addiction: Analysis. Not much meat to this one.
“The Luckiest Man Alive!” published in Science Fiction Quarterly, May 1952 is chock full of the Morrison wit. What’s the prize waiting in store for the winner of the ‘Mister Earth’ contest and is it worth what one entrant has to go through to ensure he wins? Short but very enjoyable.
“Shipping Clerk” from Galaxy Science Fiction, June 1952 is another humorous story. A homeless person who is always hungry eats something that makes him even more hungry. He’s swallowed a shipping mechanism and it plays havoc with his digestion! Of course there’s aliens behind it all. Add this to the Morrison funny stories I liked.
“New Universe” from Startling Stories, July 1952 was another short but interesting story but without the humour. If you’re a God who is bored with ruling this universe, what makes you so sure the next universe will be even better?
In “Temptation”, Fantastic Adventures, July 1952, an alien race wants to know if absolute power corrupts absolutely. One earth scientist is their experiment but sometimes the love of a good woman can ground you. Interesting story but only average on the Morrison spectrum.
“Runaway” from Galaxy Science Fiction, November 1952 is another fascinating story told from the viewpoint of a child. This had worked so well in Morrison’s 1943 story “The Great Invasion.” In “Runaway” a boy at a boarding school/orphanage dreams of going to the stars and sets out to make it happen. Does he get there? Is he even really a boy? All good questions that are answered in this gentle short story.
“Scent of Danger” published in Science Fiction Quarterly, November 1952 didn’t really work for me. A scientist with an advanced sense of smell on an alien world can sense more than danger. Weaker entry.
The next entry from 1952, “Dragon Army” from Fantastic Adventures, November 1952, was one of the longer stories that Morrison had published during his lifetime. This one clocked in at 28,000 words and took up 44 pages in the magazine. The previous long story of Morrison’s that I had read was “Two Worlds To Save” published in Startling Stories, September 1942 and it ran 70 pages in that pulp. “Dragon Army” was more interesting about a scientist trying to prevent his colleague from taking over a planet and causing catastrophe. There were no Dragons in this one but the reference is to seeds that sprout up as walking trees who do the bidding of the evil colleague. Middle of the pack type of story but at least it gets a mention on the cover:
The last story from 1952 is “Revenge” which was published in Space Stories, December 1952. This is a very dark entry. A Martian mother wants revenge on the people who killed her two sons…and gets it. No humour in this one!
William Morrison’s output in 1953 was significant in that he published one more than he did in the previous year. In 1952 there were ten published stories and Morrison published eleven in 1953. Previously, when I had been reading the Morrison stories in alphabetical order, I had read “Divinity,” “Date of Publication, 2083 A.D.,” and “Country Doctor.” I reviewed those in my previous blahg, WILLIAM MORRISON–HALF-WAY THERE. I’ll now speak about the remaining eight stories from 1953.
In “Forgotten Danger”, Science Fiction Adventures, February 1953, Morrison revisits the homeless/hobo theme he used in “Shipping Clerk” from 1952. The main character has also lost his memory. That’s another theme that occurs in Morrison stories. Aliens, tramps, and danger. Again, middle of the road.
“The Hunters,” Space Science Fiction, February 1953, is Morrison back again with his wit and charm. This time it’s aliens versus school girls. No contest…put your money on the school girls.
Next up, “The Gears Of Time,” from Space Stories, April 1953 is another lengthy story by Morrison. It is described as a “complete novel” and runs 76 pages of the Space Stories magazine. There’s a lot going in this one with different types earthlings and martians moving at different speeds. I found it overlong and overly confusing in parts. Again, however, it gets mentioned on the cover…even if the image has nothing to do with the story:
“The Haters,” Rocket Stories, April 1953 is all about criminals who are space explorers. Their hatred for everyone and everything may be the only thing that saves them in the end. Again, I rank this somewhere in the middle.
My William Morrison kick started out with the very funny story “The Sly Bungerhop.” The next story “Long Life to You, Albert!”, Science Fiction Adventures, July 1953 ranks up there as one of Morrison’s funniest and best. A woman sets out through various means to kill her husband but nothing works. He ends up invincible and immortal. Scientists study the husband to find out what causes his gifts. The wife could tell them but then she’d be admitting to her guilt! Track this one down and read it. You won’t be disappointed.
Kayin, the main character from “Task of Kayin” Planet Stories, July 1953, understands the dangers of the scientific discoveries that an earthling scientist is putting to work. After all, being an alien where these discoveries destroyed his home planet, shouldn’t he know better than anyone else? What’s an alien to do with such knowledge? A good story of a stranger in a strange land.
I didn’t really enjoy “The Weather on Mercury” from Galaxy, July 1953. It was a throwback to 1940s type adventure stories. The science and the deception were typical in some of Morrison’s stories from a decade before but I expected better from something published in 1953.
Morrison redeems himself with “The Model of a Judge” from Galaxy, October 1953. The tagline for this story is “Should a former outlaw become a judge–even if he only need pass sentence on a layer cake?” A reformed carnivore alien gets to judge a bake-off but will everyone trust his decision and will he trust his instincts? Very pleasing and comical story.
William Morrison’s published stories in 1954 reached the amazing tally of 13 stories! He would never again publish that many stories in one year. I had previously read “Battleground,” “Bedside Manner” and “No Star’s Land.” I have since read seven more stories from 1954 and have three more to read. I’ll dedicate the last part of this blahg to those seven stories I read most recently.
There’s something about psychiatry and analysis that keeps popping up in Morrison’s stories. I mentioned the analysis theme in “Asylum” from May 1952 and I believe there was another one from the 1940s as well but the title escapes me. In “Split Personality,” Fantastic Story, Winter 1954, Morrison explores the difficulty of treating the mental health of an alien with two heads and two distinct personalities. Again, the humour comes through in this one.
“G’rilla”, Beyond Fantasy Fiction, January 1954, is another Morrison story told from the viewpoint of a child. A very sweet story about a little girl and her littler brother who encounter an alien in their bathroom and no one believes them.
“Playground”, The Magazine of Fantasy and Science Fiction, February 1954 is a cross between Lost In Space meets Land of The Giants. A family crash lands on a world of giant creatures and must fix their ship. Dad’s constantly trying to fix everything and mom’s keeping the kids entertained on an alien planet. Has the same kind of cuteness as “G’rilla” but the adults learn a thing or two in this one. For some reason, the magazine decided to add overlong introductions to its stories.
The next entry was another story published in The Magazine of Fantasy and Science Fiction. “The Inner Worlds” from the April 1954 edition is about a symbiotic relationship of organisms inside an alien creature on a distant planet. It had an interesting premise when humans showed up but not one of Morrison’s best. It too, received a long introduction.
Morrison was back again with another child narrated story called “Heads You Lose” in Beyond Fantasy Fiction, May 1954. Every child’s mother has always said you’d forget your head if it wasn’t screwed on or attached to your body or some other variation of that theme. What happens when a child can roam around with just his head and leaves his body behind? Another cute and funny story from a child’s viewpoint.
“Messenger” from Imagination, July 1954 features another character who has lost his memory. He’s on a mission to set something right but he can’t remember what that something is or where the somewhere is he’s supposed to be going. Enjoyable and the ending is worth the read alone.
Finally, this time around, we end up with “There Ought to Be a Lore” published in the Magazine of Fantasy & Science Fiction, September 1954. Another henpecked husband story who thinks he knows better than his wife what’s going on with the population on this strange world. His knowledge will ultimately get him into trouble and will his wife tell him ‘I told you so’ or will he live long enough to tell her he was right after all? Another comical story from Morrison.
That’s it for now. I have ten stories left to read from the 79 short science fiction stories by William Morrison. Let the countdown begin!